While working as a buyer at Aron’s Records in Hollywood during my youth, I came across ECM Records. Up until then, the only thing I had ever heard off of the label was Keith Jarrett’s The Köln Concert. As I was able to listen to promo versions of new releases, I came across Anouar Brahem, but forgot about him for over a decade. My friend, Max Franosch, whose photographs grace a few classic ECM releases, reminded by of his work via a post several years ago, and I’ve been following his music intently ever since.