Gamardah Fungus are an experimental groups out of Dnipro, Ukraine, who build a lot of their own instruments. According to the band’s Bandcamp site, “The album was inspired by the spellbinding events, which happened to us in an old abandoned manor in Ukrainian forests.”
This is my first exposure to Gamardah Fungus. I look forward to hearing and sharing more in the future.
Pervuian psych-rockers Laghonia.
Noah Berlatsky of Bandcamp Daily gives a decent retrospective on some of the great progressive and psychedelic bands which came out of South America during the 1970s, though, sadly, the Mellow Records contributions seem to be permanently deleted, which is a shame.
Nawksh are a psychedelic rock band out of Karachi, Pakistan, and seem to fit perfectly onto the Guruguru Brain roster of freakish electro-psych.
The latest release by Jurica Jelić marks his third appearance on our modest blog. This EP is a bit of a departure, as Jurica’s vocals, a deep, resonating baritone, gets prominently featured on this release. It’s hard to believe that he’s hitting notes that comparable singers like Michael Gira (Swans, Angels Of Light) could not hope to hit. With a voice like this, I can’t help thinking that he’d appeal to those into neofolk, apocalyptic folk, or gothic music.
News from Bandcamp:
The Bandcamp App for Artists and Labels is here! It gives you a real-time mobile view into your stats, helps you manage and fulfill your merch, and lets you directly message your fans, even targeting those messages by fan location and level of support. Check out the screencast above for more details, and grab it for Android or iOS!
Please send media inquires to press@bandcamp.com.
French electroacoustic composer and experimental music pioneer Pierre Henry left the world on July 5, 2017. Thanks to the Olivier Lamm and Sarah Bastin from Red Bull Music Academy Daily for reporting the potentially tragic loss of Henry’s massive archive if funding isn’t found to preserve his home.
It has been a joy to follow Umut Çağlar over the past few years. He’s released several albums under the banner of Konstrukt, but on this album, he collaborates with Sonic Youth guitarist Thurston Moore.
The first track, Kensaku, is the ‘quietest’ affair of this album. It buzzes and swells, with multi-instrumentalist Çağlar prods Moore into a drony improv which would have worked beautifully on an early Sonic Youth record (and which holds up rather well today in 2017).
The next two tracks, Red Sun and Echo (outro) go into the sort of monstrous territory that encapsulated the work of Japanese guitar legends like Keiji Haino’s power-trio Fushitsusha, or even the crunchy psychedelic haze of White Heaven.
I would love to see Konstrukt and Umut Çağlar collaborate more with American artists. He makes one hell of a sparring partner for anyone.
I’m pleased to point you dear readers to a progressive rock blog that covers a lot of music I missed, mainly symphonic prog. My Facebook friend César Inca Mendoza Loyola runs Autopoietican – Apuntes de Musica Progresiva Contemporanea, a blog you should consider subscribing to immediately!
Yasmin Hannah King is a guitarist from Bath, England, who just released one of the best instrumental albums I’ve heard in a while, combining folk, post-rock and a type of ambient music into one shimmering package.
This Is Darkness is a website based out of Baltimore, Maryland, in the United States which is dedicated to promoting dark ambient music. This is their first in what we hope to be are a long series of compilations dedicated to the promotion of the best of bleak music. Such names as Xerxes The Dark, Cisfinitum, Kammerheit and Leila Abdul-Rauf should be familiar to those of you who dig throughout the Internet finding the finest in headphone music, but there are loads more talented artists waiting for you to explore.
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