
Arwa Haider writes an article for the BBC on how bootleg music is spread throughout one of the most anti-pop-music cultures on the face of the Earth.

Arwa Haider writes an article for the BBC on how bootleg music is spread throughout one of the most anti-pop-music cultures on the face of the Earth.
A happy St. Patrick’s Day for you Catholic and Orthodox who celebrate his feast. The day has a special meaning for me personally as, last year on this date, we moved into our new home. I was the first to enter the home, and the first benediction, as worthless as it was as I’m no priest, was to utter St. Patrick’s Breastplate before moving items into the house.
I can’t think of a Brazilian singer I adore more than Joyce Moreno, and that’s saying quite a bit considering the legendary talent that has come out of the country.
Still, she is in top form in this album working with percussionist Naná Vasconcelos and Mauricio Maestro on vocals.
Though recorded in 1976, this release, as great as it is, didn’t see a proper release until 2009.
I love Mexican progressive rock, especially when it’s avant-progressive. Many great bands came down the beltway from Mexico, especially from the capital. El Arca de Valjós seems to be keeping the avant-prog tradition alive, and it’s wonderful to hear.
There’s no one even close in the running of who is the King of Ethio-jazz. Until he passes on from this mortal coil, this title is Mulatu Astatke’s to keep.
This record is from May of 2016, and it features him pairing up with the Australian jazz collective Black Jesus Experience. This is the first I’ve heard of them, but they meld quite nicely with Mulatu’s vibraphone-based works.
Find somewhere to sit, it doesn’t matter where. Imagine a musician entering the space and preparing to perform. Count to two hundred and seventy-three in beats as close to a second apart as you can manage.
Applaud as the performer exits the space.
You have just created a mental facsimile of the most famous work of American composer John Milton Cage (1912–1992). It is called 4’33” and is not, as is commonly assumed, a piece of silence but rather a period of time to notice the sounds, the music if you will, of your environment.
The piece is one of many explorations of expectations and context that Cage undertook during his career, a musical life rooted in the European tradition but moulded and influenced profoundly by Cage’s interest in Eastern philosophy, particularly Zen Buddhism.
It has been said that all behaviour is communication, which certainly includes creating music, one…
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¡Sabor! I didn’t expect something so salsa-ish to ever come from Hungary, but Barrio Latino Hungría does a stellar job in updating the Latin Jazz sound quite nicely.
Throbbing Gristle’s 2009 release was something of a swansong for the band before the death of founding member and Coil legend Peter “Sleazy” Christopherson.
Truly, with this release, they went out on top.
Scattered Purgatory are a heavy psychedelic band out of Taipei, Taiwan, whose influences seem to include Krautrock bands like Can and Amon Düül II, as well as Japanese psychedelic-folk bands like Ghost.
This is a mindblowing compilation of Tanzanian music when the country was not yet united (Zanzibar and Tanganyika were apart just before they came together in 1964). German ethnomusicologist Werner Graebner, producer of the Zanzibara series on Buda Musique, is responsible for putting this comp together for French label Ouch! Records. Give the whole album a deep listen. Much rumba, taraab and Swahilia popular music styles to be found here.
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