Wolfgang “Fadi” Dorninger is something of a legend in my circle. When I was a teenager, I came across his work thanks to a very active cassette culture which was happening in Los Angeles, and was blown away by his project at the time, Monochrome Bleu.
He is still releasing rather amazing, tranquil ambient work, and it’s good to see a familiar name come up on my radar again. Give his work a good, deep listen on headphones. It’s good music to let your brain swim to.
An unsolicited release came into my email box a few weeks ago from the band Braderin, and I finally have time to check it out. It’s a crunchy piece of ambient music, and EP’s worth of music that reminds me of the 1980s post-Industrial cassette culture. Somewhat occultish, perhaps influenced by sci-fi films.
A really good effort out of Turkey.
The record cover of this new EP by Lousberg, The Death of Humanity, gives it the aura of either a black metal band or a black ambient band circa 1990s-era Cold Meat Industry. It is neither of these. In fact, it’s a swelling, sumptuous piece of neoclassical music which would work as a soundtrack to many a movie. I quite like this!
Check out more releases like this one at Dunkelheit Produktionen out of Germany. They seem to be releasing a lot of quality material.
Damon & Naomi have done a kindness by offering their back catalog on Bandcamp for free, essentially (though it’s good practice to spend a buck here and there as a token of thanks).
In this disc, the duo team with Masaki Batoh’s legendary troupe, Ghost, though their presence is not nearly as noticeable as one would hope. Still, the stars of the show make a gentle, ambling piece of slowcore.
Lárus Sigurðsson is a new name for me. The pianist and multi-instrumentalist hails from Iceland, and he already has a catalog which is a few records deep. This is a mellow, but absorbing album to listen to, with piano, guitar, and voice out in the distance.
Soothing.
The tune was originally recorded by Calypso legend The Mighty Sparrow, but Bert Inniss makes this instrumental version his own.
Slovakia is producing wonderful music, but has almost no exposure in the world stage, which is maddening. Quality musicianship in genres as disparate as World Music, experimental and classical has been frankly astounding.
The folk scene is especially healthy, given the energetic, bouncy and rhythmic performances given by Hrdza. There is a fire under these musicians, who possess a sort of sunny optimism, that is absolutely refreshing to hear. Those of you who enjoy Celtic music might well find something worth grooving to with these guys. It’s really that lively.
To get a taste of their sound, check out the Spotify link listed above and give a visit to their website (unfortunately in Slovak only, I’m afraid) to find out a bit more.
We found a gem today on the Obscure Little Beasties Youtube channel. This comes from Uzbekistan, where they host a proper Uyghur music ensemble.
Most Uyghurs live in the Xinjiang Uyghur Autonomous Region inside of China, so it’s interesting to see music coming from the diaspora.
I came across these guys thanks to a fine poster over at Reddit. Very solid post-rock out of France, not too derivative of other bands like Immanu El and the like.
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