
The Imaginative Conservative is part of my daily reading, and though this article dates from 2011, it serves as a nice primer for the music of the great maestro.

The Imaginative Conservative is part of my daily reading, and though this article dates from 2011, it serves as a nice primer for the music of the great maestro.
For the past couple of weeks, I’ve been doing what I can to correct some errors, and it looks like the site is finally taking better shape. A wiki has been added where I will add links and other data to musicians, artists and others who interest me.
If you have interest in being listed there, or know anyone who does, just let me know via the contact page.
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A fine slice of Judeo-Spanish ethnic music from Israel’s finest singers, Yasmin Levy.
Ultima Thule #901 by Ultima Thule Ambient Music on Mixcloud
Part of my daily e-mail ritual consists of sorting through scores of podcasts I want to spend the day (or evening) listen to. This particular one is a real treat, as the music is deep ambient music, perfect for working late nights. If you enjoy the work of people like Steve Roach, Robert Rich, Vidna Obmana or Alio Die, among others, Ultima Thule will make for rewarding listening!
It came as a shock to find out that Lou Reed, a fixture throughout the whole of my musical life, had passed away due to complications from liver failure today. Ben Ratliff of the New York Times wrote a fine obituary today, so in terms of a retrospective, it’s best to leave it to the professionals. However, there’s also a personal component.
I’m not quite sure who made the quote (it’s always attributed to Brian Eno when I try to source it), and it is surely apocryphal, but here it is:
I’m one of those guys. Now, my ‘band’ did nothing but practice, and it was a real pleasure at the time, but for all those bands who heard that first Velvet Underground album, it compelled the listener to go do something. You became an active participant rather than a mere listener.
Though I spent my formative years in Los Angeles, I loathed The Doors and most of the bands from San Francisco (Love was the only one I cared for deeply who were from the West Coast). My heart and mind, musically, at least when it came to Americn music, was firmly planted in New York, with all the debauchery that city was famous for. The Velvets were gritty and hard, unlike their bloated, pretentious, and frankly mediocre fellow musicians out west. We got bands like Blind Melon thanks to The Doors. We ended up with Cabaret Voltaire, Joy Division, The Cure, and scores of other substantial bands thanks to Lou, John Cale, and the troupe.
May Lou rest well, and our condolences go to his wife, the composer Laurie Anderson, herself one of the great sages of radical American music.
Sunday mornings won’t quite be the same, will they?
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I close my eyes and see a flock of birds. The vision lasts a second or perhaps less; I don’t know how many birds I saw. Were they a definite or an indefinite number? This problem involves the question of the existence of God. If God exists, the number is definite, because how many birds I saw is known to God. If God does not exist, the number is indefinite, because nobody was able to take count. In this case, I saw fewer than ten birds (let’s say) and more than one; but I did not see nine, eight, seven, six, five, four, three, or two birds. I saw a number between ten and one, but not nine, eight, seven, six, five, etc. That number, as a whole number, is inconceivable; ergo, God exists.
A slightly surrealistic short story by the genre’s master, Jorge Luis Borges. His point? God is not only in the details, but between them, in those crevices in time and space which we cannot comprehend, apparently.

Perhaps the bleakest accordion music I’ve ever had the chance to listen to, Russian musician Kirill M (see his website here) pairs up with Nam-Khar, a project from Germany, on this self-released EP. It is well-mixed, eerie, and worth further exploration.

Many thanks to Flux Magazine who post a review on Mulatu Astatke’s new album. You can read their review here.
Some classic IDM from Richard D. James.
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Mia vita, a te non chiedo lineamenti
fissi, volti plausibili o possessi.
Nel tuo giro inquieto ormai lo stesso
sapore han miele e assenzio.
Il cuore che ogni moto tiene a vile
raro è squassato da trasalimenti.
Così suona talvolta nel silenzio
della campagna un colpo di fucile.
Zonards des grands Z'espaces
სელექტორის ბლოგი
Cultura, tecnologías de la comunicación e Ideología Moderna.
My Projects and Collaborations
the home of psychedelic sounds and more....
These are the things I do.
Illuminating the Post-Industrial Underground
© P. Robinson 2004-2025
Iberian record label since 2012.
the greatest songs of the 1960's that no one has ever heard
A Tudo o que tiver que vier.
the aim of art is to represent not the outward appearance of things, but their inward significance
Discovering the wonderful world of classic actresses and their beauty...
Creative bands of extreme quality and competence
Writing Lostness