From Wikipedia:
I started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that’s just the way it came out.
— Nat ‘King’ Cole, Voice of America interview
Few remember Nat ‘King’ Cole’s incredible piano playing abilities, but they certainly never seem to forget a his smooth, baritone voice, which handled languages outside of his native English with ease.
NPR dedicates a radio program to one of the smoothest voices jazz ever produced here.
It is an absolute shame that Aleksandr Solzhenitsyn was not honored with a museum until recently, but at least the problem is now rectified. Russia Indsider reports on this news here.
A belated happy birthday to the most important writer of the last 1,000 years, Dante Aleghieri.
John Kleiner of The New Yorker writes on Dante here.
Ultima Thule #1068 by Ultima Thule Ambient Music on Mixcloud
Sublime working music, courtesy of Bruno Sanfilippo, who is featured today at the Ultima Thule podcast, available on Mixcloud.
Many thanks to Miguel Santos, who will be showcasing Bruno in London later this year.
OpenCulture.com is a godsend of a resource, housing all kinds of material past the copyright protection date. In this post, we find Eddie Muller giving a list of what he thinks are the best film noir flicks ever. I agree with most of it!
Leave it to my dear brother in Naples, Paolo, to find one of the best Internet radio programs in the world, especially for those who love swanky music. Bravo!
To listen to Radio Lux, just click here.
SPK had an incredible beginning as one of the brutal first wave of Industrial Music, then dissolved into a dance mess with a couple of utterly forgettable albums. Their swansong, however, is about as sublime as Dead Can Dance was at their best. Zamia Lehmanni: Songs of Byzantine Flowers would be a bridgeway for Graeme Revell to go into soundtrack music, which he is still doing to this day.
Does it get any trashier than the movies of Jess Franco? Maybe, but those probably aren’t legal to show anywhere outside of Europe.
Italian film-score maestro Bruno Nicolai is responsible for this slab of fuzz. For more on the film, read here.
There seems to be absolutely no information on this band except for an entry at their label, Branco Records, out of Japan. This was originally a private pressing, and it reminds me of some soft, hazy, prog-psych, with touches of bands like The Flower Travellin’ Band.
Erik Satie is beautifully interpreted here by Mal Waldron’s trio, which includes him on piano, joined by Reggie Workman on bass and Ed Blackwell playing drums.
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