
Elizabeth Hyde Stevens of Long Reads writes a rather interesting essay on Argentina’s greatest gift to literature (and my personal favorite author), Jorge Luis Borges, and his relationship with money.

Elizabeth Hyde Stevens of Long Reads writes a rather interesting essay on Argentina’s greatest gift to literature (and my personal favorite author), Jorge Luis Borges, and his relationship with money.
Here’s another track from what, to these ears, is the best band in Ireland today. Girl Band sound something like a violent crashing of The Birthday Party, early Nirvana, with touches of This Heat.

Roxanne Panchasi of New Books Network has interviewed David A. Shafer regarding his biography of French dramatist, poet and actor Antonin Artaud.
The book is available here, via Amazon.com, and can read more about the book via Reaktion Books’ website.
All thanks and respect to my friend Sarp Keskiner for turning me on to some absolutely lovely Kurdish music from Ruşen Alkar.
Kardeş Türküler are a project I’d not come across before. They play a fusion of Anatolian, Thracian and Mesopotamian music, according to their bio. It’s a powerful fusion for sure.
I can’t find a thing on the band, but the Esfahan Ensemble produce lovely Persian music.
This is a very charmingly weird slice of avant-pop from a Ukrainian singer and songwriter, Svitlana Nianio, whose one album, Китиці (Kytytsi), was released on the Polish indie label Koka Records.
Day after day, week after week, I get to scroll through my feed and finding some of the ugliest, most obnoxiously mean-spirited posts from people who wouldn’t know civility if it swatted them in the rump. A good aural cleansing is in order, courtesy of 14th Century poet and composer Guillaume de Machaut.
Alessandro Cortini is an Italian composer and keyboardist based in Los Angeles. He’s an occasional member of Nine Inch Nails, and makes quite a good company man working with Trent Reznor in a style reminiscent of the 1980s Belgian Hard Beat scene, but on his own, he veers off into Kosmische Musik territory, reminding one of artists like Klaus Schulze in this track.

John Hurt, whose devastating performances in movies like The Elephant Man, Nineteen Eighty-Four, Alien and Harry Potter and the Philosopher’s Stone showcased a craftsmanship rare in Hollywood today, died at the age of 77 due to complications caused by pancreatic cancer.
The Daily Mail presents the story here.
Art dispatches from Dundee, Perth, Glasgow, Edinburgh and beyond
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