Welsh ambient record label Serein had a banner year publishing rather incredible releases by bands like Hauschka, Olan Mill and Brambles. This free sampler gives a synopsis of what gems this imprint has available.
This is wonderful headphone music for a grimy Beijing winter.
Cult Classic: Funkadelic-Maggot Brain. Rumour has it, that when Funkadelic recorded their career defining album, Maggot Brain, they were on one long acid trip. Members of Funkadelic had dropped some Yellow Sunshine Acid before producer George Clinton pressed the record button and ironically, the result was their finest hour, Maggot Brain. Sadly, never again, would Funkadelic reach the same […]
via CULT CLASSIC: FUNKADELIC-MAGGOT BRAIN. — dereksmusicblog
Derek’s Music Blog reviews Maggot Brain, Funkadelic’s seminal masterpiece.
Many postmodern writers convey the inadequacy of mankind’s imagination to the infinity of the universe with endless repetitions of sublime imageries. In Jorge Luis Borges’ Ficciones (1944), the imagery of an exitless labyrinth is often employed in his short stories to expose men’s roles as God’s prisoners under the notion of Pantheism. One of the […]
via The Matryoshka Doll of Dreams: The Adam of the Divinity and the Golem of Mankind in Jorge Luis Borges’ “The Circular Ruins” — Extending the Literature Classroom:
Another banner year for Bandcamp. They continue to be the premier platform for new artists, and the reissue market benefits greatly from their presence. May 2020 be much better for them!
Monday, Dec. 9: Best Albums of 2019: #100 – 81
Tuesday, Dec. 10: Best Albums of 2019: #80 – 61
Wednesday, Dec. 11: Best Albums of 2019: #60 – 41
Thursday, Dec. 12: Best Albums of 2019: #40 – 21
Friday, Dec. 13: Best Albums of 2019: #20 – 1
Reza Solapitour is a dark ambient musician based out of Tehran, Iran, discovered by the best ears in experimental music, Raffaele Pezzella of Eighth Tower Records.
The album is booming, eerie and spacious, as though one had the sensation of floating in a cave. Quite a powerful release.
I have no idea about the artists on this mini-compilation except to say that Radio Martiko has a wonderful habit of digging up some incredibly cool cuts from both past and present times. This is a peach of a 7-inch.
2019 was a great year for a soul revival, and The Saigon Soul Revival end this trend on a very high note. From their Bandcamp site:
Saigon Soul Revival has been on a quest to reawaken the raw, enchanting sounds of 1960’s and 70’s Vietnam; a time when passionate music resonated in Saigon’s streets and clubs with messages of love, heartache, hope and freedom. Amongst the turmoil of war, there was a rich cultural climate that fused popular genres of the day like rock, soul and bolero with Vietnamese music and lyrics. This fusion of sounds that bridged east and west became forbidden after the fall of Saigon in 1975 and almost vanished. Four decades later Saigon Soul Revival was born with the initial purpose of bringing these dormant sounds back to the stage. After numerous live performances over the last 3 years, the band has developed their own sound and now, with the release of their debut album “Họa Âm Xưa”, they are ready to share it with the rest of the world. The 11 track LP, including original compositions and nostalgic reinterpretations, blends traditional Vietnamese elements with modern concepts, featuring pre ‘75 and current artists, all while remaining firmly rooted in the “nhạc vàng” (golden music) of the time. Meaning “Old Harmonies”, Saigon Soul Revival is proud to present “Họa Âm Xưa” as a tribute to the artists and composers of the time that inspired them to create this marriage between past and present.
No, not that Greatest Story Ever Told, where Max von Sydow plays Jesus Christ. This Story is a bit less profound, but Oh! Calcutta! avail themselves well enough with a powerful album where post-rock and hard rock meld into each other for an enjoyable listening experience.
Z Tapes always produces charming, simple surprises. This one comes in the form of Australian/Serbian troupe Lalić, whose album reminds me of what demos of early Railway Children, Movement-era New Order and maybe something a tape collection inside the Postcard Records post box might sound like. Worthy.
The more I hear doomjazz artists, the more enthralled I become with the genre. It sounds as though jazz-noir combines well with a nearly ambient aesthetic. Our latest case-in-point are the Australian group Vainoras and the altar of the drill. This release appeared out of nowhere last night, and it has had my ears perked up ever since.
There is a mellow, spacious, yet creepy vibe flowing throughout the album. It’s not unnecessarily noisy at all, which makes the experience much more pleasant. This is music to think and fume to.