It’s been awhile, but here’s the final podcast of the year! The track listing is as follows:
1. Peter Fox – Alles Neu
2. Hilarion Nguema – Gabon Pays De Joie
3. The Chambers Brothers – Time Has Come Today
4. Carlos Gardel – La Muchacha
5. Ennio Morricone – Dal Mare
6. Al Bowlly – Fancy Our Meeting
7. Genesis – The Lamb Lies Down On Broadway
8. Peter Thomas – Raumpatrouille Orion
9. Guy Lombardo and His Royal Canadians – Auld Lang Syne (Film Version)
10. The Durutti Column – Tomorrow (Live, from the album ‘Domo Arigato’)
Vinyl’s resurgance is a cause for celebration. I’m even considering investing in an audiophile-quality turntable to enjoy choice slabs of plastic on cold nights like this evening’s (okay, by California standards!).
Endgadget reports that Fat Possum Records has decided to invest in their own plant to satisfy demand. From the article:
Jack White and his Third Man Records imprint aren’t the only ones benefiting from the vinyl boom. Oxford, Mississippi-based Fat Possum Records took matters into its own hands, building a pressing plant to meet the demands of its avid collectors. After using other record makers and encountering issues with backorders and the headache of international shipping, founder Matthew Johnson (with a hand from others) bought used equipment and set up shop in Memphis. The plant is modest compared to other more established operations, but with the new setup, the goal is to crank out 13,000 to 14,000 records a day — plus it’ll keep everything in-house. Fat Possum’s vinyl releases include LPs from Modest Mouse and Waylon Jennings. If you’ll recall, White’s Lazaretto is the best-selling vinyl release in two decades, serving as more evidence that the classic format refuses to die.
One of the greatest bands in the history of Balkan alternative music, Anastasia were fronted by singer Goran Trajkoski (Gotra), who went on to sing for Macedonian legends Mizar, as well as making incredible music as a solo musician. He is also an old friend who is as decent as he is talented.
Here is a sample of what you’re hearing, which is based on a text from the Holy Bible (David’s Psalm 137:1) in historic documents connected with destruction of Jerusalem by Babylonian king Nebuchadnezzar II in 588 BC.:
На реките Вавилонски
таму седевме и плачевме
сеќавајќи се на Цион
На врбите среде него
ги обесивме нашите харфи
Таму нашите поробувачи ни бараа песни
нашите мачители се радуваа викајќи:
Пејте ни од песните ционски
Како да пееме песни господови на земји туѓински
Ако те заборавам тебе, Ерусалиме
нека се заборави десницата моја
Нека си го голтнам јазикот
ако не се сетам на тебе
ако не го издигнам Ерусалим
над мојата најголема радост
Сети се Господи на синовите едомски
кога дента во Ерусалим викаа:
разурнете го, разурнете го до темели.
Ќерко вавилонска, опустошена
блежен нека биде тој што ќе ти го направи тебе
она што ти ни го направи нам
Блажен нека биде тој што ќе ги земе децата твои
и ќе ги удри од камен.
In English:
By the rivers of Babylon,
There we sat down and wept,
When we remembered Zion.
Upon the willows in the midst of it
We hung our harps.
For there our captors demanded of us songs,
And our tormentors mirth, saying,
“Sing us one of the songs of Zion.”
How can we sing the LORD’S song
In a foreign land?
If I forget you, O Jerusalem,
May my right hand forget her skill.
May my tongue cling to the roof of my mouth
If I do not remember you,
If I do not exalt Jerusalem
Above my chief joy.
Remember, O LORD, against the sons of Edom
The day of Jerusalem,
Who said, “Raze it, raze it
To its very foundation.”
O daughter of Babylon, you devastated one,
How blessed will be the one who repays you
With the recompense with which you have repaid us.
How blessed will be the one who seizes and dashes your little ones
Against the rock.
Despite the odd spelling change, Billy Childish is still producing fine music. This is an instrumental track from 2013, courtesy of Damaged Goods Records.
I’m a fan of the Balkan singing voice, as it is rich in the way Tom Waits and Paolo Conte are. This is a new name for me, presumably out of Serbia. I’m looking forward to hearing more from Block Out.
The Internet is a treasure trove which never ceases to amaze. Thanks to the enterprising souls over at Analog Africa, a brilliant reissue label from Germany, we get to here these long-forgotten wonders from the country formerly known as Zaïre, now the Democratic Republic of The Congo.
Independent music from New Zealand was considered utterly stunning at one point, especially with labels like Flying Nun and Xpressway. I lost contact with what was going on with their scene. Today, I stumbled across this podcast. It’s good to see all is well in Kiwi-Land.