No, bodiless powers cannot be destroyed, but never mind the theology lesson for now. This release featuring Industrial music icons Coil, Soft Cell frontman Marc Almond and John Gosling (Zos Kia himself). It’s something akin to a holy grail for experimental music fans, and Cold Spring should be lauded for releasing this gem.
Our friend Santiago Fradejas has returned with his most powerful album to date. From what I understand, these soundscapes were all done with an electric guitar. He makes the most out of his weapon of choice, convincingly straddling the terrains of instrumental amplified guitar music, post-Industrial, and a very eerie take on contemporary classical/avant-garde music.
Manja Ristić is a Serbo-Croatian violinist and experimental music composer whose works have left me captivated. This latest release, The Nightfall, collects for compositions inspired by the seasons. From her Bandcamp site:
In haiku poetry, “Kigo” is a seasonal reference, a word or group of words which locates the poem in a season of the year, the seasonal association helping the reader imagine the atmosphere and settings of the poem more vividly. Kigo evokes memories and feelings which vary depending on the readers themselves: their active role is crucial in haiku poetry as different cultural and historical backgrounds may lead to a different interpretation of the poem.
The release was made available by London-based label Naviar Records yesterday.
Not for the faint of heart, but rewarding in its own way. It was released by Cian Orbe, out of Santiago, Chile.
Our friends Destruktionsanstalt make their fourth appearance on the blog with one of the most brutal post-Industrial music releases I’ve heard in a while. Per Najbjerg Odderskov is one of the few composers working in this genre who understand the original Industrial music ethos thoroughly, and it shows in his (very brutal) work.
Though he classifies this under Power Electronics, there’s something more elegant to his compositions than what I normally find in that genre. This is Power Electronics for the thinking man.
In 2008, Legendary Pink Dots members Edward Ka-Spel and The Silverman trekked over to Chile where they made a collaboration of Michel Leroy of Un Festín Sagital, Chile’s finest experimental neofolk group.
This hazy, drony, Krauty improvisation is the fruit of their meeting. Stunningly hypnotic work.