[Music] black (w)hole – altered states


black (w)hole are an Austrian drone-psych band who are covering similar ground to Masaki Batoh’s legendary group Ghost.  Don’t think that this is their only influence, however.  One can hear shards of Blue Cheer, The Melvins, and other Japanese psych bands like High Rise and White Heaven. This is well-recorded, powerful, and drone-laden enough to let your mind melt for a few moments. Recommended.

[Music] Bram Tchaikovsky – Strange Men Changed Men The Complete Recordings 1978-1981

It didn’t seem right that Bram Tchaikovsky was one of the great forgotten sons of Power Pop (along with Brinsley Schwarz), but this blog post gives the man (and the band) his fair due.  Much respect to The Fat Angel Sings Blog for posting this originally.

The Fat Angel Sings

Born Peter Bramall in November 1950, Bram Tchaikovsky first came to prominence as a member of the pub rock band The Motors in 1977, subsequent to playing in several local rock bands in Lincolnshire during the late ‘60s. Following his decision to leave The Motors, Bram opted to form his own eponymous power pop band, with Mike Broadbent on bass and keyboards, and Keith Boyce on drums. The trio signed to the Radar label in 1978 and went on to achieve a US Top 40 hit in 1979 with ‘Girl of My Dreams’. Several band member changes and two albums later, Bram Tchaikovsky made the decision to split from the band and retire from the music business entirely.

This lovingly assembled package, fully endorsed by Bram Tchaikovsky himself, contains all three BramTchaikovsky albums Strange Man, Changed Man (1979), The Russians Are Coming (1980) and Funland (1981), plus all…

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[Music] Album Premiere: Girls on Film 1979 Demo EP by Duran Duran feat. Andy Wickett

My brother and I, and millions of boys and (especially) girls grew up with Duran Duran. That Cleopatra Records, undoubtedly the kings of the reissue scene, would release these demos done with former singer Andy Wickett comes as a pleasant surprise.

The Big Takeover Magazine has plenty of background information on this intriguing release, and do take the time to hear Girls On Film in a very raw, far less-polished but perfectly acceptable form.