[Music] Sieben – Crumbs (reviewed by Santa Sangre)


Much respect to Peter Marks of Santa Sangre Magazine for reviewing my favorite Apocalyptic Folk violinist (and very cool chap) Matt Howden.

[Reviewed by Peter Marks] Ah just look at him on the cover in his Sunday tea time best. Flip the panel and you’ll see how thin the veneer is as a Guy Fawkes mask and full fencing uniform greet you; there can be no doubt that we’re living in extraordinarily perilous times with one guy […]

via Sieben – Crumbs — Santa Sangre

[Music] Coil + Zos Kia + Marc Almond – How To Destroy Angels


No, bodiless powers cannot be destroyed, but never mind the theology lesson for now. This release featuring Industrial music icons Coil, Soft Cell frontman Marc Almond and John Gosling (Zos Kia himself). It’s something akin to a holy grail for experimental music fans, and Cold Spring should be lauded for releasing this gem.

[Music] Expo ’70 – Awakening


There are so many good neo-krautrock and neo-psychedelic bands that it’s almost impossible to keep up with them. It seems a new one comes out every day, and the quality is consistently great.

Take Expo ’70, a band out of Kansas. They tie together Krautrock with a minimalist aesthetic that balances out very well.

[Music] BlindººCoyote – A Beginner’s Guide To Hard Hat Color Coding


A Beginner’s Guide To Hard Hat Color Coding is a new project by BlindººCoyote, longstanding monicker of Drem Bruinsma, a Dutch-born composer now based in Alicante, Spain, whose work under this moniker reminds me of peak-period Cluster finding a bit of time to carouse with an early-wave Industrial band (think Cabaret Voltaire’s more daring experimental work than the dark funk they would produce during their heyday). It would make sense, as BlindººCoyote has been alive as a project since the early 1990s, and this particular sound to me is timeless.  The project has been active (with some periods of non-activity) since its first 1993 release, Phantom Pain/Genkaku no Itami, a project which stemmed from a collaboration with legendary jazz fusion trumpeter Toshinori Kondo.

There’s something very kosmisch about this particular release, though it has flourishes of a cold, metallic bent.  This floats surprisingly easily and envelops this listener into a dreamy, lulling feeling.  There’s also a reminiscence of sounds made by such acts as BlindººCoyote’s one-time collaborators Tuxedomoon (he wrote scores for video, dance, theatre and collaborated with the individual members of Tuxedomoon, amongst others).

As a side note, and quite a tasty one, the first track on this EP, Chapter One: Red Hard Hat Area, will also appear on the compilation Radio Nautilus, released by No Records on June 1.

To explore more of BlindººCoyote’s works, visit his Bandcamp site here, and his Reverb Nation site here.

[Music] The Vryll Society – Andrei Rublev

You have to be something else to make a song called Andrei Rublev, especially one with a Krautrock influence. Nice one, lads!

The Fat Angel Sings

Image may contain: indoorLiverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”

The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.

Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.

The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the…

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