[Music] Rodion G.A. – The Lost Tapes

Rodion Roșca (in Romanian) was one of the most bizarre and enigmatic musicians to come out of Romania. He was known mainly by those into freaky experimental music or progressive rock. For a quick glimpse of Rodion’s work, check out this link.

[Music] Album Premiere: Girls on Film 1979 Demo EP by Duran Duran feat. Andy Wickett

My brother and I, and millions of boys and (especially) girls grew up with Duran Duran. That Cleopatra Records, undoubtedly the kings of the reissue scene, would release these demos done with former singer Andy Wickett comes as a pleasant surprise.

The Big Takeover Magazine has plenty of background information on this intriguing release, and do take the time to hear Girls On Film in a very raw, far less-polished but perfectly acceptable form.

[Music] music won’t save you: LJERKE – Ljerke (Eilean, 2018)


 

LJERKE – Ljerke (Eilean, 2018) Ormai veterani della scena sperimentale olandese e protagonisti di innumerevoli collaborazioni (con Rutger Zuydervelt, Gareth Davis, in Piiptsjilling e The Alvaret Ensemble) i fratelli Jan e Romke Kleefstra hanno intrapreso in Ljerke un ambizioso progetto di improvvisazione che coinvolge trasversalmente linguaggi artistici e musicisti di estrazione affine. Accanto a loro […]

via — music won’t save you

Music Won’t Save You is Italy’s finest post-rock blog.

[Film] Remembering The Man Who Fell to Earth, Two Years After David Bowie Returned to the Stars — Consequence of Sound

The Sunday Matinee takes a look at a classic or beloved film each weekend. This week, Clint Worthington revisits David Bowie’s debut role two years after his tragic passing. It’s been two years since David Bowie left us for his home planet, and we haven’t been the same since. Like Thomas Jerome Newton, the protagonist he portrays…

via Remembering The Man Who Fell to Earth, Two Years After David Bowie Returned to the Stars — Consequence of Sound

[Music] A.M Ferrari Fradejas – Requiem No. 2

We’re treated to the year’s first Bandcamp surprise, thanks to our beloved friend A.M Ferrari Fradejas, currently based in Barcelona, Spain.

Despite its 13-minute length, the composition packs a lot of time changes, churning guitars, an eerie choral section reminding one of a solstice ritual melded with her trademark progressive/improvisational sound. I hope that either a full album is forthcoming soon, or that works in this style are further expanded upon.

Blissful!