For Immediate Release YES and KING CRIMSON Members Collaborate on the New Album by Peter Banks and David Cross – Crossover is OUT NOW! David Cross was a member of King Crimson during the 1970s and the late Peter Banks was the original guitarist in YES. The guitar and violin parts for this NEW STUDIO […]
Thanks to Guy Segers for publishing this classic of Japanese progressive rock.
Bi Kyo Ran were rather unfairly tagged as a Japanese King Crimson clone. By this album, that image was finally shed.
They are apparently still active doing soundtracks for TV shows in Japan, but I can’t imagine any of the new material having the power of this disc.
Shed a tear for the hardcore prog collector — actually, don’t. This week has been absolutely crammed with articulate announcements looking to part fans from their hard-earned cash or pull them deeper into debt. And no, I’m not talking about the upcoming Derek Smalls solo album. Check out what’s coming our way as winter (hopefully) […]
Thanks to Rick for posting this. What a good year this is going to be for prog-heads!
Ray Thomas, flautist, vocalist, and co-founder of The Moody Blues, passed away on Thursday evening. The 76-year-old had been battling prostate cancer since 2013, though no cause has been given for his sudden death. Alongside Mike Pinder, Graeme Edge, Clint Warwick, and Denny Laine, Thomas helped found The Moody Blues in 1964. Two years later, Justin Hayward…
I don’t like the term noir for music unless it fits in a film-like connotation, but there’s something pleasantly dark in this new release by Luís Lapa & Pé de Cabra, two Portuguese jazz heads. The Saul Bass-inspired cover art gives it away, I suppose, but the music is quite deep.
I’m pleased to point you dear readers to a progressive rock blog that covers a lot of music I missed, mainly symphonic prog. My Facebook friend César Inca Mendoza Loyola runs Autopoietican – Apuntes de Musica Progresiva Contemporanea, a blog you should consider subscribing to immediately!
Oaksenham are a progressive rock band formed in Yerevan, Armenia in 2001. It’s exceptionally good symphonic prog.
Evolving, like all prog, from psych and jazz, the Latin American scene is full of imaginative fusion and wild technical prowess.