The Sunday Matinee takes a look at a classic or beloved film each weekend. This week, Clint Worthington revisits David Bowie’s debut role two years after his tragic passing. It’s been two years since David Bowie left us for his home planet, and we haven’t been the same since. Like Thomas Jerome Newton, the protagonist he portrays…
Music
[Music] Sokratis Sinopoulos Quartet: Eight Winds (ECM 2407)
Sokratis Sinopoulos Quartet Eight Winds Sokratis Sinopoulos lyra Yann Keerim piano Dimitris Tsekouras bass Dimitris Emanouil drums Recorded April 2014 at Sierra Studios, Athens Engineer: Giorgos Karyotis Produced by Manfred Eicher U.S. release date: January 15, 2016 Sokratis Sinopoulos is a master of the lyra, a bowed instrument whose lilt has polished a handful of […]
Straight from ECM Records‘ site, the label introduces us to the music of Sokratis Sinopoulos. What gorgeous listening for this Eastern Orthodox Christmas Eve!
[Music Performance] PINTOTONICS n + 1 edition January 8, 2018
P I N T O T O N I C S n + 1 edition January 8 2018
Huis de Pinto
St Antoniebreestraat 69
1011 HB Amsterdam
(020) 3700210 > reservation recommended
www.huisdepinto.nl
www.presentsoundsamsterdam.nl
20:00 doors open
20:30 start 1st set
23:00 end of event
Entrance 10 + 7 (students/cjp)
SET 1 > SOLO
‘SOLAMENTE
Ig Henneman/viola
Intermission
SET 1 > ENSEMBLE
Mirko Montaldi Ensemble &
the ‘Erik Satie/’Vexations’ project
Mirko Montaldi/guitar
Lucio Tasca/guitar
Jasper Stadhouders/guitar
We hope to welcome you!
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Coming up
February 12
Solo set by Maarten Ornstein/bass clarinet
Ensemble set by Blue Lines Trio & Ada Rave
Ada Rave/ tenor sax, clarinet
Michiel Scheen/piano, compositions
Raoul van der Weide/contrabass, compositions
George Hadow/drums
March 12
Solo set by Ab Baars/shakuhachi, tenor sax, clarinet + solo cd presentation
Ensemble set by Janssen & Janssen
Guus Janssen/piano, compositions
Wim Janssen/drums
[Music] Joe Claussell feat. Daymé Arocena – Yambú (Sacred Rhythm Mix)
Veteran Deep House producer and dance icon Joe Claussell takes on Cuba’s most popular export at the moment, Daymé Arocena, and makes an amazing track that much meatier and more danceable.
[Music] A.M Ferrari Fradejas – Requiem No. 2
We’re treated to the year’s first Bandcamp surprise, thanks to our beloved friend A.M Ferrari Fradejas, currently based in Barcelona, Spain.
Despite its 13-minute length, the composition packs a lot of time changes, churning guitars, an eerie choral section reminding one of a solstice ritual melded with her trademark progressive/improvisational sound. I hope that either a full album is forthcoming soon, or that works in this style are further expanded upon.
Blissful!
[Music] Cyril Cyril – Colosse de Rhodes 7″ Single
Two gentlemen named Cyril (Cyril Yeterian: Banjo, Guitar, Organ, Vocals and Cyril Bondi: Percussions, Vocals) make a wonderful fusion between Western and Arabic/Maghrebi music.
Thanks to Les Disques Bongo Joe, a Swiss label specializing in releasing such 7-inch titles.
[Music] Julian Cope – Supernatural Agencies
Welcome to 2018, and a very loud, Krautrock-inspired jazz-fusion track that would have fit nicely on Miles Davis’ ‘Dark Magus‘ period albums. Thank Julian Cope for this noisy groover.
[Music] King Gizzard & The Lizard Wizard – Polygondwanaland
Australia’s King Gizzard & The Lizard Wizard cross all sorts of genres so heavily that they are nearly impossible to categorize. The band move around easily in alternative music, psychedelic rock, prog, surf (not as weird as it sounds, to be honest) and garage rock.
This album is a freebie, and, as it turns out, one of their best works. Give it a listen and be converted.
[Music] Karolina Ossowska & Jeff Gburek – The Falls of Hyperion
The incredibly prolific Jeff Gburek, currently based in Poland and partnering with violinist Karolina Ossowska, put together their latest labor of love, and though I don’t normally engage in Top-Ten lists for year’s end, I think it fair to say that this release is his most beautifully crafted, most thoughtful and profound releases.
The album was recorded in Romania and Poland between September 2016 and October 2017. On top of the incredible range of instrumentation, there are many field recordings which give a life to each track that one rarely finds in experimental music.
Of particular interest are the spoken word portions of Track #4, Hyperions 4 (Lift Not The Painted Veil). From the notes left by Gburek and Ossowska, the first text is a piece written by Percy Bysshe Shelley bearing the same name. The second is a work penned by Gburek himself. Both are read with a warm but darkened tone which envelops the listener as much as the instrumentation does.
Easily one of 2018’s best releases, regardless of genre.
[Music] Percival Elliott – Forever
Percival Elliott isn’t the name of a musician, but a friendship. Two musicians, Olly Hite and Samuel Carter-Brazier, paired to make a deeply touching indie-folk sound which reminds me of the best of artists like Jeff Buckley (may his memory be eternal). If you’re curious about following their exploits, consider “liking” their Facebook or Twitter feeds.

