Present is the project of former Univers Zéro guitarist Roger Trigaux, who is joined by UZ drummer Daniel Denis. This is less progressive rock and more furious chamber rock. There is a brutal intensity to this disc that quite possibly surpasses Roger’s former band. This is as punchy as it gets. A rough treasure.
Cult Classic: David Axelrod-Songs Of Experience. By 1968, composer, musicians and producer David Axelrod was just about to embark upon a solo career after nine years working in the music industry. Buoyed by the experimental climate of popular music, David Axelrod wrote and recorded what was akin to a suite-like tone poem that was based […]
From the article:
There’s an argument to be made that the origins of mind-expanding folk music date back centuries before the advent of recorded music. There’s an old understanding, popular in Orthodox circles, that the Torah is, itself, one long song—a song handed down from smoked-out Mount Sinai by Moses, where the assembled masses of humanity experienced collective synesthesia, and saw the sounds of the voice of G-d.
Connect the dots: Jews are the people of The Book, and our book is a scroll of sheet music first performed at an ancient psychedelic rock concert. Bob Dylan (whose Hebrew name is Shabtai Zissel) knows it; Chronicles, Vol. One, for example, takes its name from the Hebrew Scriptures.
But there isn’t much scholarship around this heritage. Jeanette Leech’s wonderful book Seasons They Change: The Story of Acid and Psychedelic Folk traces a vast cosmic tree of outré acoustic music from around the world, including many examples of the surprising crossover of entheogenic religious devotional music. But it barely features a mention of a Jewish contribution to the genre. Sure, you could point to “Solomon’s Song” from C.O.B.’s 1972 album Moyshe McStiff and the Tartan Lancers of the Sacred Heart. But that’s one smudged dot on a massive map.
The final chapter of And You Shall Know Us By The Trail Of Our Vinyl, a book about Jewish LPs of yesteryear, dips a few toes into the water, pointing to some examples of frum folk rock—The Stanley Miller Band’s American Simcha or The Noam Singers’ The New Dimension in Hebrew Music. But that’s where the trail goes cold, and many of these documents never made it online. Forget about the ones they didn’t even mention: The Voices Four, Shimon & Ilana, Manguinot Bashira, the Beth Sholom Folk Rock Service’s Chants for Peace. Of these, you might find a clip or two online. Maybe.
And so it seems at least one corner of this day-glo forest remains shrouded in fog. But if you’ll allow, we’d like to guide you on a hidden path toward the world of psychedelic Jewish folk music.
Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]
What a wonderful blog they run! If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.
If you happened to be one of the lucky folk who managed to grab a subscription edition of the latest issue of Electronic Sound magazine, then inside not only were you graced with a John Foxx cover replete with a firsthand account by the man himself about the coming to be of his scene defining […]
I won’t cry poverty, but I do regret not having the funds to pick this one up!
I’ve crowed about this in the past, and will continue to do so in the future. If I don’t see top-shelf artists like Santiago Fradejas, Jeff Gburek or Jan-Dirk Platek (among a host of others) on a year-end list, it’s not worth that much to me. Still, Bandcamp is a very valuable resource overall, and despite the occasionally lame SJW-infected reviews one gets subjected to, there are quite a few gems in this list of 100.
Aloha Got Soul’s latest release is a reissue of a rare psychedelic Christian folk record by a Hawaiian project called ʻĀina, which, according to their Bandcamp album site, “means land or earth in ʻŌlelo Hawaiʻi, the Hawaiian language.”
It’s definitely a product of the 1970s, full of hippy vibes, a naïve sense of idealism, and themes which would be recognizable to people who go to Pentecostal Churches. There was nothing bad about this release at all. It was a smooth, mellow and enjoyable listen.
It’s been a while since I posted, thanks to a heavy work schedule ending in a small vacation for me, so I return with this week’s Bandcamp Weekly, featuring Joseph Malik, who went from suffering debilitating mental illness to making a slew of brilliant albums and having a fire inside him to make much more.
Welcome to the world of easy (cheesy) listening out of… Cairo?! Yes!! According to the bio over at his Bandcamp page, “Abd al-Rahman El Khamissi (bio in Arabic only) is an Egyptian poet, writer, journalist, dramatist, radio producer, film director, composer and talent scout for famous Egyptian actors such as Soad Hosni. He has been seen as a great romanticist and one of the finest Egyptian poets. Khamissi’s versatile talents as an artist and story teller portrayed in many ways the aspirations of Egyptian society.”
There is an elegance in this release mixing tango, the aforementioned easy listening and the better elements of soundtrack music. Many thanks to the folks at Radio Martiko who selflessly dedicated their efforts into releasing this gem.