[Music Sample] Cuneiform Turns 30: The Albums of 2014

https://bandcamp.com/EmbeddedPlayer/album=1493984546/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/

Washington D.C.-based Cuneiform Records has been publishing influential avant-prog rock music for three decades now. Steve Feigenbaum, the label’s owner, should be commended for bringing such groups like Univers Zero, Daniel Denis, Richard Pinhas and Happy Family to American consumers.

This compilation covers 30 years of great releases, and is available as a ‘name-your-price’ download, courtesy of Bandcamp.

[Music] Gregory Ayriyan – s/t

After years of having to let this project lie dormant, I’m proud to announce the resurrection of my record label, the Carrera-Linn Cultural Exchange (CLCX). Our first release is from the Russian-based Armenian-American violinist Gregory Ayriyan, who composed all but three of the tracks on this disc. The other composers include Sayat Nova, Komitas, and Niccolò Paganini, so he interprets the cream of the crop.

[Review] Fake Cat Project – Fake Cat Songs

https://bandcamp.com/EmbeddedPlayer/album=1404642129/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/

Kirill Makushin (who also records under Kirill M and Crows In The Garden) is no stranger to this blog. He’s a bayan player who works well with experimental composition. In this EP for the Fake Cat Project (his new band), he works with the legendary Russian avant-garde music stalwart Alexei Borisov, and Igor Levshin, who contributes ‘vocals’ (meows, really).

[Review] Roses Never Fade – Devil Dust

I have a bit of a love-hate relationship with the Apocalyptic Folk/Neofolk genre (or Wyrd Music, or whatever it’s called today). Most of the bands sound the same, usually rip off the old masters of the genre like Death In June, Blood Axis or Allerseelen. The music is nice, but not terribly interesting or something I’d come back to for repeated listening.

Enter Roses Never Fade. The music in their latest release, Devil Dust, published on Neuropa Records, comes as a breath of fresh air.

The first five minutes of the release feel a bit like the scene in the Andrei Tarkovsky, when the pilot flies into Solaris. Hazy, crunchy, like driving right into a cloud. Reminiscent of early Industrial soundtracks and Pink Floyd at their most esoteric. Once things become musical, things become very interesting.

Though it may not have been a conscious act, the band sound like they are channeling The Swans/World of Skin/M. Gira, and mixing it with more progressive folk like the legendary Comus. That was what immediately came to mind. Sure, there are also a few vocal styling which remind me of Douglas Peace in his youth, but the material flows nicely, and by about the 7th minute, I feel like I’m hearing elements of The Byrds in their psychedelic country phase.

A unique release. Go here to find more information about the band and Neuropa Records.