Elektro Moskva, directed by Elena Tikhonova & Dominik Spritzendorfer, shows the history of electronic music in Russia from the works of Léon Theremin to the ANS synthesizer used by such luminaries as Eduard Artemiev (famous for his soundtracks to the films of Andrei Tarkovsky) and beyond. I’m very much looking forward to seeing this when time permits.
Wim Mertens is a minimalist composer out of Belgium whose work I’ve followed since at least 1990. He’s still releasing lovely music, but this particular piece is my favorite, from the album bearing the same title.
After a track on Soundcloud, I decided to purchase this mini-LP from Gralitsa, a musician whose work crosses the genres of world music, post-rock, progressive rock and soundtrack music with great ease. It’s worth picking up.
A Miscellany of Tasteful… is proud to announce the release today of a record I’ve been waiting to hear for months now. Jeffrey Roden is an old friend from my days working at Aron’s Records and Lumpy Gravy, a restaurant and record shop located in Hollywood, and owned by animator Gábor Csupó. Today is the official release of his latest album, Threads Of A Prayer: Volume 1.
More about the album. Solaire Records out of Germany collaborated with Jeffrey, and the first thing I noticed was the tastefully minimalistic artwork and packaging, which reminded me of something ECM Records would have been proud to release. The notes on the music are copious, but the compositions themselves are the stars of the day.
There is a slow, gently plodding pace to the first disc of this album. Sandro Ivo Bartoli performs the pieces with an understated gentleness that would be comparable to the best of Harold Budd and his collaborations with Brian Eno. I have been fortunate to review a series of truly enveloping music the past few weeks, and this one is the best of the lot.
Disc two is remarkable in a different way. There are elements of the compositions of Arvo Pärt and Henryk Górecki. This isn’t Holy Minimalism, but it is something akin to it. The music is calming, expertly composed, and is perfect for deep listening and thinking the day away.
If this is only Volume 1, I await Volume 2 with a happy anticipation.
To review each and every release by Noël Akchoté would be impossible for this one-man blog to do, but I have the luxury of cherry-picking some real treats. This one, in particular, pairs Noël with Hans-Joachim Roedelius of Cluster fame, as well as a maestro in his own right. The album is a guitar/piano improvisation recorded in Vienna, Austria in 2013. Gentle, plucky sounds which cross into fusion territory at times.