With many thanks to Alan Freeman, the proprietor of England’s coolest prog-rock shop, Ultima Thule, and the editor of the magazine which poisoned my musical taste for the rest of my life, Audion.
The best way to describe Árstíðir, at least in this gorgeous tune, is something like what a Varangian choir might have sounded like in 13th-Century Byzantium, singing in the Hagia Sophia.
As it turns out, the tune is from the 13th Century, written by Kolbeinn Tumason. No, Wuppertal isn’t quite Byzantium, especially inside of the train station, but the lads made a mundane place seem almost holy that day.
Up until today, I had no idea who Schneider Kacirek was. Thanks to Toni Dimitrov, my old friend, I got turned on to this track, and this rather incredible project. It features Stefan Schneider, who was in Kriedler and To Rococo Rot. No wonder why the beats sounded familiar!
Singer and saxophonist Abate Berihun and pianist Yitzhak Yedid form the Duo Ras Dashen. It blends Yedid’s masterful jazz piano with the near liturgical singing style of Berihun. I look forward to hearing recorded product from this pairing soon.
Morte Macabre are a side-project of modern progressive rock giants Anekdoten. They blend a brutal symphonic sound with chamber-rock, something that reminds me of the Belgian act Univers Zero.