Fuzzy, modern psychedelia. Shoegaze music really was a beautiful thing for a while. The Pale Saints were at the top of their game when this piece came out.
The compilation this track is featured on is definitely worth a purchase.
Fuzzy, modern psychedelia. Shoegaze music really was a beautiful thing for a while. The Pale Saints were at the top of their game when this piece came out.
The compilation this track is featured on is definitely worth a purchase.
A stunning bit of live footage here. Though the stars of the video are John Zorn’s Masada String Trio, pianist Uri Caine utterly dominates the first half of the show with gorgeous improvisation.
The lineup for the night:
Uri Caine – Piano
Mark Feldman – Violin
Erik Friedlander – Cello
Greg Cohen – Double bass
John Zorn – Direction
A gorgeous interpretation of a classic Italian lullaby by Greek-Czech vocalist and flautist Sophia Mavrogenidou & Italian percussionist Alfio Antico
Though The Rolling Stones‘ version is more famous, this version by Irma Thomas packs quite a whallop!
Richard Barbieri never disappoints. From his work in Japan to all of the wonderful projects he’s worked on since, he’s shown to be a thoroughly underrated synth player. There’s always hope he’ll reach a bigger audience.
The surprise here, for me, is Steve Hogarth. I’m not a huge fan of Marillion (at least since old singer Fish left the band in the late ’80s), but really, Hogarth’s voice sounds like a perfect compliment to the electronic underpinning Barbieri provides. A lush work.
This one is dedicated to my Mari, who has given me a year of happiness.
So haunting it’s damn near a suicide dirge. Former Swans co-vocalist Jarboe performs one of the most bleak, desolate covers of this classic torch song penned by Arthur Hamilton.
Experimental musicians are a funny lot. They put out strange, sometimes stiff, clinical sound experiments. And then Ryoji Ikeda decides to have a laugh and make a static and blip cover of AC/DC‘s seminal classic. Genius.
And thanks to the ever darling Christine Tesla Coil who originally posted this.
This is one of the few times I miss a critically important release. Robert Fripp & Brian Eno had collaborated at least twice before for full albums, but this one is a change of pace. Perfect for listening on a calm, quiet day.
A salute to my friend Valtazar Zauberquelle for posting this.
The trip of bandoneonist Dino Saluzzi, his son, the saxo-clarinettist Felix Saluzzi, and cellist Anja Lecher, make for a warm trio of avant-tango.
Soulful jazz-funk by Rudolph Johnson, who sounds like someone Kruder & Dorfmeister would have ripped a riff from.
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the greatest songs of the 1960's that no one has ever heard
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