For Immediate Release YES and KING CRIMSON Members Collaborate on the New Album by Peter Banks and David Cross – Crossover is OUT NOW! David Cross was a member of King Crimson during the 1970s and the late Peter Banks was the original guitarist in YES. The guitar and violin parts for this NEW STUDIO […]
Vinyl
[Music] Mavi Güneş 69 – 3 Çember / Yafta
Mavi Güneş 69 are a trip. If Can or Amon Düül II spent more time in Turkey than in Germany, and were influenced by Bektashi sufism and a lot of hash, the results might sound something similar to this. Mind blowing.
[Music] Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton
Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]
via Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton
What a wonderful blog they run! If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.
[Music] john foxx — the sunday experience
If you happened to be one of the lucky folk who managed to grab a subscription edition of the latest issue of Electronic Sound magazine, then inside not only were you graced with a John Foxx cover replete with a firsthand account by the man himself about the coming to be of his scene defining […]
via john foxx — the sunday experience
I won’t cry poverty, but I do regret not having the funds to pick this one up!
[Music] ʻĀina – Lead Me To The Garden
Aloha Got Soul’s latest release is a reissue of a rare psychedelic Christian folk record by a Hawaiian project called ʻĀina, which, according to their Bandcamp album site, “means land or earth in ʻŌlelo Hawaiʻi, the Hawaiian language.”
It’s definitely a product of the 1970s, full of hippy vibes, a naïve sense of idealism, and themes which would be recognizable to people who go to Pentecostal Churches. There was nothing bad about this release at all. It was a smooth, mellow and enjoyable listen.
[Music] Abd al-Rahman al-Khamissi – عبد الرحمن الخميسي – Music from the Soundtrack “Respectable Families”
Welcome to the world of easy (cheesy) listening out of… Cairo?! Yes!! According to the bio over at his Bandcamp page, “Abd al-Rahman El Khamissi (bio in Arabic only) is an Egyptian poet, writer, journalist, dramatist, radio producer, film director, composer and talent scout for famous Egyptian actors such as Soad Hosni. He has been seen as a great romanticist and one of the finest Egyptian poets. Khamissi’s versatile talents as an artist and story teller portrayed in many ways the aspirations of Egyptian society.”
There is an elegance in this release mixing tango, the aforementioned easy listening and the better elements of soundtrack music. Many thanks to the folks at Radio Martiko who selflessly dedicated their efforts into releasing this gem.
[Music] An introduction to Ethio-Jazz in 10 records
Chris May at The Vinyl Factory has done a great job making choices for introducing their vinyl junkie readership to the best of Ethiopian jazz from the 1960s onward. Special thanks to Al Clark for pointing this wonderful link out to me.
[Music] Toshio Matsuura Group – LOVEPLAYDANCE – 8 Scenes from The Floor
I don’t know how I managed to miss Japanese DJ and producer Toshio Matsuura! This album is a real gem, mashing together nu-jazz and fusion while introducing reference points like Magma and Carlos Santana (when he was still on the cutting edge).
[Music] Kikagaku Moyo/幾何学模様 – Stone Garden
Kikagaku Moyo’s Stone Garden was one of my favorite releases of 2017. It’s a loud, heavy, psychedelic masterpiece in keeping with legendary bands like White Heaven or labels like P.S.F. Records.
[Music] Momo Wandel Soumah – Matchowé
Momo Wandel Soumah was a saxophonist and vocalist from Guinea who did a stunning job mixing jazz (especially that of the Charlie Parker and John Coltrane variety) with ethnic music from his region of the world. This session was recorded in 1991.
He passed away in 2003, but left this album as his legacy.