Can you imagine a cooler collaboration? The true giant of the jazz world (yes, even bigger than Miles Davis, in my opinion) recording in conjunction with the top producer in the world of Krautrock. I can’t imagine a cooler union!
Phạm Mộng Hải is yet another new name to me. Vietnam seems rich in musical talent, but there simply isn’t enough information on artists from the country available in a language I can decipher.
Still, many thanks to Glitterbeat Records for enlightening the world with this release.
Up until today, I knew nothing about NichelOdeon. It seems that the name is a monicker for Italian composer Claudio Milano, who is based in Fragagnano, Italy.
After going through a few tracks (this one being my favorite), I’m looking forward to seeing this project develop!
Holy smokes! The legendary INA-GRM Record Label out of Paris, France, which housed some of the most legendary names in electroacoustic and avant-garde music, has decided to release selected titles as downloads via Bandcamp, and at reasonable prices!
Good heavens, this is an absolutely schizophrenic piece of music. It ranges from a sumptuous minimalist to an edgy post-rock before sliding into something more appropriate in an electroacoustic work.
Valgeir Sigurðsson hails from Iceland. Why is this not surprising? Yet another composer/musician from there to watch out for. To hear the whole of Architecture of Loss, the album this track is on, go to Valgeir’s Bandcamp site.
A new release from Stasis Recordings by house artist Louis Haiman. I’m no expert in regards to house music, but this track brought me back to Kraftwerk’s early minimalist catalog, sans vocals. Brilliant material to work with.
Mickey McGowan is a Southern California institution, and that’s saying something, considering how many top-notch record collectors live in this part of the world. Dust & Grooves, a wonderful blog covering vinyl-related topics, features Mickey’s shop, and we tie a podcast related to this article below:
The best way to describe Árstíðir, at least in this gorgeous tune, is something like what a Varangian choir might have sounded like in 13th-Century Byzantium, singing in the Hagia Sophia.
As it turns out, the tune is from the 13th Century, written by Kolbeinn Tumason. No, Wuppertal isn’t quite Byzantium, especially inside of the train station, but the lads made a mundane place seem almost holy that day.
So much great music coming out of North Africa these days. Amanar are a wonderful discovery out of Mali, published by Sahel Sounds, a magnificent record label out of Portland, Oregon, covering brilliant music out of the North and West of Africa.