Estonia’s Estrada Orchestra are a funky jazz combo that blends the best of groups the The James Taylor Quartet with the soundtrack to the old Starsky & Hutch TV series.
Music Technology
[Music] Strawberry Switchblade – 1982 4-Piece Demo
One of my old college mates described Strawberry Switchblade as ‘twee’. He was right. That didn’t affect the fact that I saw them as a great pop band with two of my teenage crushes blowing me away musically. Here’s the raw material which would develop into their eponymous debut LP.
[Music] Corima – Quetzalcoatl (Complete)
[Music] The Warp/The Weft – Mapping an Absence
I tend to have the best luck in the world with unsolicited releases! Poughkeepsie, New York’s The Warp/The Weft send an album which blends folk, prime-era 70’s hard rock and prog into a rather novel blend of something a Tull fan could be proud of, never mind all you prog freaks who collect ultra-rare garage-prog recordings.
[Music] Cinedelic – La Band Del Brasiliano – Vol. 1
One of Italy’s finest combos, Cinedelic, take on Brazilian grooves and wild library and soundtrack music.
[Music] Celer – Plays Liberace
[Music] Toàn – Histós Lusis
Toàn is a French sound designer based in England who has a wonderful gift for blending jazz, hip-hop, ambient, classical and avant-garde music into one very pleasant jumble.
[Music] Tony Buck – Unearth
Though we’re not yet allowed to embed the release, it looks like there will be a new release coming in September by The Necks drummer Tony Buck. Our friends at Room 40 Records in Australia will be doing the honors, and you can go directly to their Bandcamp site to pre-order it.
[Music] Awesome Tapes From Africa: An Interview with Brian Shimkovitz

Awesome Tapes From Africa is lucky to have an owner who has a deep passion for the music he puts out. PopMatters.com lets Awesome head honcho Brian Shimkovitz hold court. It’s worth checking out Brian’s blog which started his interest in African music.
[Music] Ethel Koffman – Flor Verbena
Editorial Municipal de Rosario is a record label out of Rosario, Argentina, which normally focuses on classical music. After digging into their catalog, I noticed that they’re not limited to that genre alone.
This album features the warm voice of Ethel Koffman, a fellow Argentine whose voice lilts in a way that would fit well with Bossa Nova music.
