[Music] Zeresh – Sigh For Sigh EP

I love unsolicited material coming into one of my many inboxes. I ended up having the pleasure of discovering Zeresh, a neofolk band out of Israel who rather deftly interpret, on three of the four songs, the poetry of William Ernest Henley (of Invictus fame).

There is a lot of dark, pulsating music that would have been rather comfortable inside of the earlier releases of Current 93.  Looking forward to hearing more, obviously.

[Music] Ernesto Chahoud – Ernesto Chahoud presents TAITU – Soul​-​fuelled Stompers from 1960s – 1970s Ethiopia

Lebanese DJ and crate-digger supreme Ernesto Chahoud has done sterling work collecting some of the most impressive 7-inch sides to come out of Ethiopia.  BBE Records has done a great job in remastering and packaging this collection.  What I’m looking most forward to is seeing the 3-LP collection. It looks gorgeous.

[Music] Maurice Pozor – 2056

My friend Maurice Pozor has released an intriguing album.  Though in the Bandcamp tags the album is listed as a noise or experimental album, this has to be some of the most gentle ‘noise’ I’ve heard in some time.  It’s a rather floaty piece, somewhat in keeping with good electronic music from the 1970s and early 1980s, but with a far crisper, cleaner sound.

[Music] Camarão – The imaginary Soundtrack to a Brazilian Western Movie

Analog Africa’s clutches are reaching out farther and wider with this release by Brazilian legend Camarão. It’s a reissue of work he did in around 1960 and is a lively mix of ethnic music, cha-cha, accordion music and something you would hear in a very hazy, psychedelic Spaghetti Western.

Expect this release to ship out starting on February 20, 2018. It’s been well worth the wait!

[Music] ±0 – ±0

±0 (pronounced as plus-minus-nula) are a post-punk band out of Prague, Czech Republic.  This eponymous debut was released in March of 2017.  If you are a fan of this particular genre of music, especially of the sounds made by The Cure, Joy Division, The Sound or others during the 1979-1980 heyday of the genre, this album was made specifically for you in mind.

Kudos go especially to their sound engineer, who must have really studied post-punk.  He managed to get the sound just right for the band.  Authentic, and worth exploring further!