Present is the project of former Univers Zéro guitarist Roger Trigaux, who is joined by UZ drummer Daniel Denis. This is less progressive rock and more furious chamber rock. There is a brutal intensity to this disc that quite possibly surpasses Roger’s former band. This is as punchy as it gets. A rough treasure.
I think ‘cinematic post-rock’ would be an apt way to describe Qualia, a great instrumental rock band led by Dan Leader, who works out of Cambridge, England.
I won’t deny that we’re a little taken with this nugget, a debut full length from Bristol bssed singer / songwriter Erica Freas entitled ‘young’. Available as a self-funded limited vinyl pressing sometime March where it’ll be lovingly coloured in a choice of blue or beer, blue being our chosen option, ‘red is’ has for […]
Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]
What a wonderful blog they run! If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.
There are times when bleak post-Industrial music can be absolutely rhythmic and beautiful. A case in point is the release by Artoffact Records’ of a performance by Iceland’s finest dark-electronics project Reptilicus. This was a performance done in Toronto, Canada, organized by Praveer Baijal, founder of the seminal Toronto label Yatra-Arts, on the happy occasion of new output in the form of a 7-inch release after a (far too) long period of inactivity. For the performance, they were joined by Germany’s Senking, Denmark’s Rúnar Magnússon, and Candian duo Orphx.
The group recorded a session at Grant Avenue Studio in Hamilton, Ontario, built my Grammy Award-winning producer and musician Daniel and Bob Lanois and after Baijal introduced Reptilicus to William Blakeney, who at the time was producing a modular-synthesizer documentary called I Dream of Wires.
This collaboration bore fruit in the recording you hear here. A lot of the material is reminiscent of early Industrial experiments (think more about early Cabaret Voltaire than Throbbing Gristle or NON), yet with a far crisper, dynamic sound. Reptilicus has since become augmented with Rúnar serving as third member, and it is our hope that this unit continue to record.
Justin Broadrick should be a name very familiar to you if you were ever a fan of Napalm Death, Jesu, or my two personal favorites from his oeuvre, Godflesh and Techno-Animal. Bandcamp Daily references his newest material (which has sat around, in some cases, for nearly two decades), JK Flesh.