[Music] Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton

https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2FHamonRadio%2F89-dr-rob-looking-for-the-balearic-beat-december-2018%2F&hide_cover=1&light=1

Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]

via Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton

What a wonderful blog they run!  If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.

[Music] Reptilicus & Senking – Unison


There are times when bleak post-Industrial music can be absolutely rhythmic and beautiful.  A case in point is the release by Artoffact Records’ of a performance by Iceland’s finest dark-electronics project Reptilicus.  This was a performance done in Toronto, Canada, organized by Praveer Baijal, founder of the seminal Toronto label Yatra-Arts, on the happy occasion of new output in the form of a 7-inch release after a (far too) long period of inactivity.  For the performance, they were joined by Germany’s Senking, Denmark’s Rúnar Magnússon, and Candian duo Orphx.

The group recorded a session at Grant Avenue Studio in Hamilton, Ontario, built my Grammy Award-winning producer and musician Daniel and Bob Lanois and  after Baijal introduced Reptilicus to William Blakeney, who at the time was producing a modular-synthesizer documentary called I Dream of Wires.

This collaboration bore fruit in the recording you hear here.  A lot of the material is reminiscent of early Industrial experiments (think more about early Cabaret Voltaire than Throbbing Gristle or NON), yet with a far crisper, dynamic sound.  Reptilicus has since become augmented with Rúnar serving as third member, and it is our hope that this unit continue to record.

[Music] As JK Flesh, Godflesh’s Justin Broadrick Finds Peace In Solitude and Techno

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Justin Broadrick should be a name very familiar to you if you were ever a fan of Napalm Death, Jesu, or my two personal favorites from his oeuvre, Godflesh and Techno-AnimalBandcamp Daily references his newest material (which has sat around, in some cases, for nearly two decades), JK Flesh.

Brilliant material!

[Music] Necromishka – The Space Between Us

This is another weird, nearly terrifying, yet wonderful work from the nexus of musicians floating around Tel-Aviv and involving Tamar Singer.

Necromishka continue the neofolk tradition, mixing it with some of the hallucinatory vibe which gave early Current 93 its power.  The vocals in Beast of Prey, for instance, are slowed down to something so eerie that they should have belonged to a character in a David Lynch movie.

The other tracks give the feel of the soundtrack that should be made, if anyone is insane enough to try it, of Isadore Ducasse’s ur-Surrealist masterpiece, Les Chants de Maldoror.

[Music] An introduction to Ethio-Jazz in 10 records

Chris May at The Vinyl Factory has done a great job making choices for introducing their vinyl junkie readership to the best of Ethiopian jazz from the 1960s onward.  Special thanks to Al Clark for pointing this wonderful link out to me.

[Music] Toshio Matsuura Group – LOVEPLAYDANCE – 8 Scenes from The Floor


I don’t know how I managed to miss Japanese DJ and producer Toshio Matsuura!  This album is a real gem, mashing together nu-jazz and fusion while introducing reference points like Magma and Carlos Santana (when he was still on the cutting edge).