[Music] Alexandre Navarro – Imaginations


Checking out the tags at the bottom of his Bandcamp page, I noticed that Alexandre Navarro’s latest release, Imaginations, is listed as post-rock.  Absolutely, positively not!

This has more of a feeling brought out in albums by classic artists like Harmonia, a touch of Popol Vuh and maybe even the Russian soundtrack composer Edward Artemiev.  This is mellow, has a wonderful 70’s vibe and makes for a nice way indulge in headphone listening.

[Music] Manja Ristić – The Nightfall


Manja Ristić is a Serbo-Croatian violinist and experimental music composer whose works have left me captivated.  This latest release, The Nightfall, collects for compositions inspired by the seasons.  From her Bandcamp site:

In haiku poetry, “Kigo” is a seasonal reference, a word or group of words which locates the poem in a season of the year, the seasonal association helping the reader imagine the atmosphere and settings of the poem more vividly.  Kigo evokes memories and feelings which vary depending on the readers themselves: their active role is crucial in haiku poetry as different cultural and historical backgrounds may lead to a different interpretation of the poem.

The release was made available by London-based label Naviar Records yesterday.

[Music] The Vryll Society – Andrei Rublev

You have to be something else to make a song called Andrei Rublev, especially one with a Krautrock influence. Nice one, lads!

lizsamdog's avatarThe Fat Angel Sings

Image may contain: indoorLiverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”

The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.

Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.

The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the…

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