Our friend from Alrealon Music and JOHN 3:16 main man, Philippe Gerber, has graced us with a new, extremely powerful release.
Right from the outset, Gerber hits us with the (early) Floydian drone of The Sun Shall Be Turned Into Darkness, which is so reminiscent of Pink Floyd’s evergreen, Set The Controls For The Heart of the Sun, without the percussive elements, but focusing more on a lilting drone. As the disc progresses, you are treated to genre-splicing par excellence. Progressive rock drifts into post-rock, supported by a skeletal percussive framework and an ethereal drony element serving as ether holding everything together.
In all, this release has 29 tracks, which makes עשר such a generous offering. Philippe has much to be proud of with this release.
A-BELL is the one-man project of Leonid Churilov out of Minsk, Belarus. There is a dark, creepy, lo-fi soundtrack vibe to his work.
Faarwind are an ambient music band out of Kazakhstan’s former capital city and cultural powerhouse, Almaty. They produce a very gentle, lilting ambient music one can simply relax and unwind to. It blends in well with the natural sounds of the house, and the compositions have a very pleasant feel to them.
Rodion Roșca (in Romanian) was one of the most bizarre and enigmatic musicians to come out of Romania. He was known mainly by those into freaky experimental music or progressive rock. For a quick glimpse of Rodion’s work, check out this link.
My brother and I, and millions of boys and (especially) girls grew up with Duran Duran. That Cleopatra Records, undoubtedly the kings of the reissue scene, would release these demos done with former singer Andy Wickett comes as a pleasant surprise.
The Big Takeover Magazine has plenty of background information on this intriguing release, and do take the time to hear Girls On Film in a very raw, far less-polished but perfectly acceptable form.
Orthodox are a Spanish metal band who seem to be very comfortable straddling the line between doom metal and free-jazz. One piece, 27 minutes, of brutal skronk.
LJERKE – Ljerke (Eilean, 2018) Ormai veterani della scena sperimentale olandese e protagonisti di innumerevoli collaborazioni (con Rutger Zuydervelt, Gareth Davis, in Piiptsjilling e The Alvaret Ensemble) i fratelli Jan e Romke Kleefstra hanno intrapreso in Ljerke un ambizioso progetto di improvvisazione che coinvolge trasversalmente linguaggi artistici e musicisti di estrazione affine. Accanto a loro […]
Music Won’t Save You is Italy’s finest post-rock blog.
HJ (Hector Javier) Ayala is a free-jazz/experimental guitarist originally from Mexico who is now residing in Strasbourg, France. His new release is experimental in the most relaxed and mellow sense of the word. A truly enjoyable release, especially since not only does HJ have his own style, but he references artists such as John Scofield, John Abercrombie (may his name be eternal) and even John Fahey (also, memory eternal). Gorgeous but challenging material here.
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