
What a cover. Julia Guther’s “remixed artwork” is the EP’s entry point, making one think, I have to hear this.
For more, read here.
To hear Mikael’s music, go to Bandcamp.

What a cover. Julia Guther’s “remixed artwork” is the EP’s entry point, making one think, I have to hear this.
For more, read here.
To hear Mikael’s music, go to Bandcamp.

I’ll be the first to admit that I loathed Pink Floyd’s work after The Dark Side Of The Moon, and up until their rather charming final album, The Endless River. Syd Barrett, to many die-hards, was the heart and soul of the band. Nick Kent profiles the man over at The Guardian.
Extremely sad news today. The Quietus reports that Dieter Moebius, one-half of the legendary Cluster, along with Hans-Joachim Roedelius, a collaborator with Michael Rother in their Harmonia project, as well as Brian Eno, and a source of influence for so many musicians who delved into making electronic music, passed away today at the age of 71.
I had the pleasure of meeting Dieter and Achim a few times as they would pass through my home on tour. I wish his wife, Irene, Achim and his family, and all those who worked with him, much comfort in the days ahead.
Can you imagine a cooler collaboration? The true giant of the jazz world (yes, even bigger than Miles Davis, in my opinion) recording in conjunction with the top producer in the world of Krautrock. I can’t imagine a cooler union!
The Wire has more about this here.

Mickey McGowan is a Southern California institution, and that’s saying something, considering how many top-notch record collectors live in this part of the world. Dust & Grooves, a wonderful blog covering vinyl-related topics, features Mickey’s shop, and we tie a podcast related to this article below:
Mickey McGowan – The Unknown Museum by Dust & Grooves on Mixcloud

A legitimate question, really, posed over at Rolling Stone Magazine. Still, the idea of seeing a well-done documentary on The Residents is intriguing.
I love scouring the Internet precisely because I run into treasures like these.
Uzbekistan is not the first name one would think of when discussing progressive rock. The Central Asian republic is far away from any of the traditional power centers like the United Kingdom, Germany, Italy or the United States. It is several time zones away from Moscow and St Petersburg, where Russia’s small prog-rock scene is at its strongest.
Yet chaps from Uzbekistan (and a chap from Norway, apparently!), working out of London, do yeoman’s work in covering progressive rock releases for the website ProgressoR. These folks are passionate about the genre, indeed. Consider this a go-to site for those who love prog and its sub-genres.
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