[Music] Who – Magic Bus — PowerPop… An Eclectic Collection of Pop Culture

A band called The Pudding heard this song from a Pete Townshend demo that was circulated. The Pudding recorded the first version (see video below), which came and went without much fanfare in 1967…they could have picked a little better name. Their version was a little too smooth for me. I’ve always liked this song […]

via Who – Magic Bus — PowerPop… An Eclectic Collection of Pop Culture

[Music] KING GIZZARD and the LIZARD WIZARD – ” Live In Paris ’19 “ — The Fat Angel Sings

https://bandcamp.com/EmbeddedPlayer/v=2/album=1553589735/size=large/bgcol=ffffff/linkcol=63b2cc/tracklist=false/

King Gizzard & The Lizard Wizard have dropped two new live albums on their BandCamp. The records, Live in Paris ‘19andLive in Adelaide ‘19, are the first live albums released by the band, with all proceeds going towards Wildlife Victoria and Animals Australia in the wake of the Australian wildfires that nearly a billion animals have died from. Both records were […]

via KING GIZZARD and the LIZARD WIZARD – ” Live In Paris ’19 “ — The Fat Angel Sings

[Music] Neil Peart, Rush Drummer Who Set a New Standard for Rock Virtuosity, Dead at 67

Rush Recording Permanent Waves

Rolling Stone Magazine gives a fitting obituary on behalf of Neil Peart, of rock’s most innovative drummers here.  Words fail at this point from my end, as I’m grieving the loss of two friends at this point.  Losing an icon only adds to what is turning out to be a very rough beginning to 2020.  May Neil’s memory be eternal.

For further on his passing, you can follow this Twitter feed.

[Music] Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton

https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2FHamonRadio%2F89-dr-rob-looking-for-the-balearic-beat-december-2018%2F&hide_cover=1&light=1

Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]

via Looking For The Balearic Beat / December 2018 — Ban Ban Ton Ton

What a wonderful blog they run!  If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.

[Music] john foxx — the sunday experience

If you happened to be one of the lucky folk who managed to grab a subscription edition of the latest issue of Electronic Sound magazine, then inside not only were you graced with a John Foxx cover replete with a firsthand account by the man himself about the coming to be of his scene defining […]

via john foxx — the sunday experience

I won’t cry poverty, but I do regret not having the funds to pick this one up!

[Music] MATHIAS EICK-RAVENSNURG. — dereksmusicblog

Mathias Eick-Ravensburg. Label: ECM Records. Thirty-nine year old Norwegian composer and multi-instrumentalist Mathias Eick is prodigious talent who has released four critically acclaimed solo albums, including Ravensburg which was recently released by ECM Record. It’s the latest chapter in the Mathias Eick story, Mathias Eick was born in the village of Furnes, in Norway, on […]

via MATHIAS EICK-RAVENSNURG. — dereksmusicblog

[Music] Valentina Villarroel ~ Mares

Our friends at A Closer Listen introduce us to Chilean field recording composer Valentina Villarroel.

a closer listen

Valentina Villarroel is one of the most unassuming artists we’ve even encountered.  Content to let her work speak for itself, she provides only sparse descriptions. In a single sentence, she writes that Mares was recorded at “different locations around the region of Bio Bio, Chile.”  The rest is up to us.

This is her second release of the season on Sonospace, arriving on the heels of the recently reissued Pequeñas Composiciones, an experimental set comprised of field recordings, found sounds and studio manipulations.  Mares is more straightforward, a collection of crisply mastered recordings captured where land meets sea. It’s the best recording of its kind since Chris Silver T’s Salty Spots, and pairs nicely with Simon Šerc‘s Bora Scura: one set wind, the other one waves.

For those who can’t get to the beach, Mares makes an evocative sonic companion.  The nine numbered tracks rise in…

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