A band called The Pudding heard this song from a Pete Townshend demo that was circulated. The Pudding recorded the first version (see video below), which came and went without much fanfare in 1967…they could have picked a little better name. Their version was a little too smooth for me. I’ve always liked this song […]
King Gizzard & The Lizard Wizard have dropped two new live albums on their BandCamp. The records, Live in Paris ‘19andLive in Adelaide ‘19, are the first live albums released by the band, with all proceeds going towards Wildlife Victoria and Animals Australia in the wake of the Australian wildfires that nearly a billion animals have died from. Both records were […]
Rolling Stone Magazine gives a fitting obituary on behalf of Neil Peart, of rock’s most innovative drummers here. Words fail at this point from my end, as I’m grieving the loss of two friends at this point. Losing an icon only adds to what is turning out to be a very rough beginning to 2020. May Neil’s memory be eternal.
For further on his passing, you can follow this Twitter feed.
Paraphrasing the Soul Sonic Force and sorting through today`s releases for tunes that could have graced Alfie & Leo`s Amnesia dance floor. JMS have reissued Henri Texier`s first two LPs. Amir from 1976, and Varech from 1977. The cover of the latter will be familiar to anyone who`s visited the Growing Bin, since Basso has […]
What a wonderful blog they run! If you haven’t squandered all of your Christmas loot yet, Ban Ban Ton Ton have quite an impressive list of records you might want to consider adding to your collection, as well as a Mixcloud podcast to give you a sample of each.
If you happened to be one of the lucky folk who managed to grab a subscription edition of the latest issue of Electronic Sound magazine, then inside not only were you graced with a John Foxx cover replete with a firsthand account by the man himself about the coming to be of his scene defining […]
I won’t cry poverty, but I do regret not having the funds to pick this one up!
Mathias Eick-Ravensburg. Label: ECM Records. Thirty-nine year old Norwegian composer and multi-instrumentalist Mathias Eick is prodigious talent who has released four critically acclaimed solo albums, including Ravensburg which was recently released by ECM Record. It’s the latest chapter in the Mathias Eick story, Mathias Eick was born in the village of Furnes, in Norway, on […]
Valentina Villarroel is one of the most unassuming artists we’ve even encountered. Content to let her work speak for itself, she provides only sparse descriptions. In a single sentence, she writes that Mares was recorded at “different locations around the region of Bio Bio, Chile.” The rest is up to us.
This is her second release of the season on Sonospace, arriving on the heels of the recently reissued Pequeñas Composiciones, an experimental set comprised of field recordings, found sounds and studio manipulations. Mares is more straightforward, a collection of crisply mastered recordings captured where land meets sea. It’s the best recording of its kind since Chris Silver T’s Salty Spots, and pairs nicely with Simon Šerc‘s Bora Scura: one set wind, the other one waves.
For those who can’t get to the beach, Mares makes an evocative sonic companion. The nine numbered tracks rise in…
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You have to be something else to make a song called Andrei Rublev, especially one with a Krautrock influence. Nice one, lads!
Liverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”
The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.
Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.
The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the…
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All About Jazz does a splendid job interviewing Leonardo Pavkovic, whose imprint MoonJune Records has released some of the most vital discs of the past five years in the field of jazz and avant-progressive rock.
Arwa Haider writes an article for the BBC on how bootleg music is spread throughout one of the most anti-pop-music cultures on the face of the Earth.