[Music] Maja S. K. Ratkje – Live at the Punkt Festival 2013

Last night, I had the pleasure of viewing a performance by Norwegian vocalist/composer Maja Ratkje, something I’ve wanted to do for well over ten years, though my schedule never seemed to allow this to happen. It was even more of a wonderful experience than I expected, but as I don’t think anyone took video of the performance, I am happy to share a similar performance from 2013.

[Music] Santiago Fradejas – Sketches For Sarah, Vol. 2

I had the pleasure of reviewing Mrs. Fradejas a couple of days ago, and now it’s time to review Mr. Fradejas! Santiago’s new release sits in an equally unique point on the music reference chart. One can find something akin to post-Industrial noise, a brutalist interpretation of contemporary classical music, improvisation in the fine European-American free jazz tradition, and avant-progressive rock which labels like Cuneiform Records champion. Another masterpiece by one of the best young composers operating in Europe today.

[Music] Shoom – Tried To Sing But Couldn’t

Thirteen years ago, I was given an opportunity to work with Shoom, an Israeli band whose sound nestles comfortably within the realm of Mediterranean ethnocore, avant-rock and ethno-rock, a term I’ve not heard in quite some time, but which seems appropriate for this band.

Lots of percussion and guitars flow quite nicely with a duduk making melodies on top. Definitely worth a listen to this album, as well as their back catalog.

[Music] Troum – Acouasme

Stefan Knappe is a man who wears many hats. He runs Drone Records, which releases some of the best in dark ambient and experimental music, and serves as both a mailorder and distributor of music not directly found on his label as well.

The talent we wish to concentrate on is as a composer with his project TROUM. In this release from 2015, Knappe unleashes a cascade of some of the darkest experimental music I’ve heard in some time. It is dark, however, in a way that is not vulgar or cheap, as too so-called ‘noise’ bands are wont to be. You won’t hear any children with vile fetishes for rapists or serial killers who turn on their vacuum cleaners and try to sell this as ‘music’. No, in this case, Knappe actually goes through the process of crafting something worthy of being a soundtrack to a very intense film. There is a lot of sub-bass throbbing and pulsating, but all of it done with the precision of a master surgeon who knows how to weild his scalpel. TROUM is always releasing music of note, or collaborating with others to do the same.

If you have a Bandcamp account, follow his work. You will find no disappointments there.