Avant-Garde

[Music] Santiago Fradejas – Nila Taurica

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Santiago Fradejas’ album came as quite a surprise, not only to me, but to him. He’s a friend to this blog, and in my estimation, is among the most important young composers of the 21st Century, as well as being one hell of a fine guitarist.

This new album came from an explosion of creativity which produced 11 songs of solo guitar tracks, manipulated into a type of horror-movie or noir soundtrack vibe (think the creepier moments of Bernard Herrmann, but with an electric guitar). This is going to be a treat for those of you who like the work of Keiji Haino’s solo endeavors, and even those who like avant-garde and experimental music like Nurse With Wound or Luc Ferrari.

[Music] Noël Akchoté – All I Have To Say

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If this is all Noël Akchoté has to say, I’d say it’s quite a lot. Not since Derek Bailey has anyone, at least to my ears, make skeletal sketches sound to full. This is a solo album of standards sparsely arranged and performed on electric guitar. The most touching piece, Are You Lonesome Tonight, shows the beauty of the instrumentation, even if we’re lacking the voice of Elvis to fill this out.

Expect a few more reviews of Noël’s work here. He’s always busy crafting some new work of art, and collaborating with some fine new talent.

[Music] James Hill + Santiago Fradejas – Requiem

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The Fradejas family is no stranger to this blog. Both Santiago and A.M. have had releases featured here. This one is yet another feast for the ears.

Santiago’s guitar compositions can be explosive at times, but this more subdued, but intense performance couples beautifully with the trumpeting of James Hill, a brand new name for me to explore. ECM Records, or a label of equal quality, really ought to consider re-releasing an album like this in the future.

[Music] The Orchestra of Mirrored Reflections – Dead Beat

/ Rudy Carrera / 1 Comment

This has to be the release of 2017, as least as far as March!

Our friends The Orchestra of Mirrored Reflections have graced our blog once before, in April of 2016 for a review of an incredible live performance in Odessa. The band return with a new, seven-track album which is as rich, dark and sumptuous as anything released by groups like the Kilimanjaro Darkjazz Ensemble, Bohren & der Club of Gore and other such acts. In fact, I’d be willing to say that the beauty of this album surpasses these stalwarts.

The album consists of smoky jazz that sits somewhere between fusion and trip-hop. The guitar playing is minimal, gentle, but totally in keeping with the darkness of the music. The drumming, however, is what makes the release for me. It is sparse, minimal, with singular beats, serving as a wonderful linchpin to the rest of the instrumentation floating above.

After such a splendid release, we wait more magic from the band