[Music] (Rekem) New LP Edition: Leif Elggren – Das Baank

Great news from Nicolas Malevitsis in Greece:

Dear all,

We are very excited to announce a new release on Rekem Records, co-produced
with Fragment Factory in Hamburg:

LEIF ELGGREN – DAS BAANK
– A New Era Of Economical Growth And Prosperity And Safety And Power –

(LP, rekem 09 / [FRAG36])
Available January 15, 2016. Edition of 300 vinyl copies
http://rekemrecords.tumblr.com/post/137212865542/leif-elggren-das-baank-lp

We are proud to present this new solo album from veteran Swedish artist
Leif Elggren. Leif has been active as a writer, visual artist, stage
performer and composer since the late 1970s. On sound he works solo, in
collaborations, and as part of the Sons of God (with Kent Tankred). Work of
his has appeared on labels such as Ash International, Touch, Radium and
Firework Edition Records (which he co-runs with Kent Tankred). Skirting
both the area of pure sound, as well as that of symbolism, this new record
is a powerful statement on the limits of social and political absurdity and
corruption in our present time.

You can stream a selection here:
https://soundcloud.com/rekem-records/leif-elggren-das-baank-excerpts


It is available today from us in the UK (Rekem/Organized Music:
http://thesorg.noise-below.org/2/?page_id=677) and from Fragment Factory in
Germany (http://store.fragmentfactory.com/product/leif-elggren-das-baank-lp)

Distribution:

UK: Penultimate Press / Café OTO / Electric Knife Records / Norman Records
EU: Rumpsti Pumsti / Metamkine / SoundOhm
US: Tedium House
GR: Lotus

with more to be added…

Thank you for reading, and thank you for listening!

rekem

http://rekemrecords.tumblr.com

[Music] OORSPRONG Curators Series/OCS Edition January 25th, 2016

OORSPRONG curators series/OCS edition January 25th 2016
Amsterdam’s most radical improvisation series since 2009
‘Pormoting, feeding, refreshing and challenging IMPROVISATION TRADITION by curating ongoing ‘blinddate+instant composing’ lineups
which repepresent by definiton uncompromising experimental social and artistic experiments’.

OORSPRONG curators series is cooperating with Dutch leading studio for Electro-Instrumental creative research and development STEIM, Broedplaats Plantagedok/DokZaal and BIMhuis.
oorsprong.wordpress.com
www.steim.nl
www.plantagedok.nl
www.bimhuis.nl

PLANTAGEDOK 8-12
DokZaal
1018 CM AMSTERDAM
info@dokzaal.com

19:00 doors
19:30 start 1s set (sharp)
23:00 end of event

Curators > Kristien Sonnevijlle/movement + Stefano Sgarbi/electronics + Marie Guilleray/acoustic improvisation.

SET 1 >
Boudewijn Payens/instant painting
Renee van Marissing/instant poetry
Maya Felixbrodt/viola
Michael Vatcher/drums+percussion
Kristien Sonnevijlle/movement

SET 2 >
Colin Frank/drums+electronics
Celia Swart/saxophone
Aslakur Invarsson/voice
Amir Bolzman/electronics
Stefano Sgarbi/electronics

SET 3 >
Vanita Monk/voice+electronics+Bgtr
Jelte van Andel/contrabass
Miroljuba Petrova/movement
Marie Guilleray/voice+electronics

Next OCS edition is Fenruary 22nd 2016

>
coming up!

‘Music doesn’t exist. At most, it’s an illusion’.
Misha Mengelberg

PINTOTONICS n+1 edition Fabruay 8th 2016

Huis de Pinto
St Antoniebreestraat 160
1011 HB AMSTERDAM
(020)3700210 > reservations
www.huisdepinto

20:00 doors
20:30 start solo set
23:00 end of event

SOLO SET
ADA RAVE/saxophones, clarinet + preparations
www.adarave.com

ENSEMBLE SET
‘SPOON 3’
Jodi Gilbert/voice
Robert van Heumen/laptop processing
Albert van Veenendaal/piano+prepared piano

[Music] No Pigeonholes on Radio On January 2016 Big City Orchestra Special

http://doncampau.podomatic.com/embed/frame/posting/2016-01-19T14_10_34-08_00?json_url=http%3A%2F%2Fdoncampau.podomatic.com%2Fentry%2Fembed_params%2F2016-01-19T14_10_34-08_00%3Fcolor%3D43bee7%26autoPlay%3Dfalse%26facebook%3Dtrue%26height%3D85%26width%3D620%26minicast%3Dfalse%26objembed%3D0&notb=1

For me, Don Campau was a leading light for cassette music and underground experimental sound. It’s great to hear that he’s got a radio show in Berlin playing some incredible music.

[Music] Iancu Dumitrescu / Ana-Maria Avram in Berlin

Berghain, February 3d at 10 pm
Iancu DUMITRESCU
Ana – Maria AVRAM

HYPERION INTERNATIONAL

Tim HODGKINSON, Yoni SILVER Tijana STANKOVIC, Diana MIRON, Zsolt SÖRÉS, Albert MARKOS, Andrei KIVU, Shmil FRANKEL, Laurenţiu COŢAC, Guillaume OLLENDORFF Cătălin MATEI, Gilly MOCANU, Colin HACKLANDER, Eduard GABIA
special guest
Stephen O’MALLEY

Program:

    Iancu Dumitrescu “Quasar light” (I) – (II)- (III)

for percussion and computer sounds

    Ana-Maria Avram “ Polarities & Ambiguations”

for two bass clarinets

    Iancu Dumitrescu “Blue Shift/Red Shift”

for strings and percussion

    Ana-Maria Avram “Heteromorphies (X)”

for e-guitar and ensemble

    “Murmur”

for ensemble

    Iancu Dumitrescu “Distant Supernova”

for e-guitar, ensemble and computer sounds

    Ana-Maria Avram “Signals”

for e-guitar, ensemble and computer sounds

    Iancu Dumitrescu “Collisions of Galaxies”

for ensemble and computer sounds

world premières

Concert realised with the support of the Romanian Cultural Institute-Berlin

A photo posted by Rudy Carrera (@racarrera1) on Jan 13, 2016 at 7:27pm PST

//platform.instagram.com/en_US/embeds.js

A photo posted by Rudy Carrera (@racarrera1) on Jan 13, 2016 at 7:27pm PST

//platform.instagram.com/en_US/embeds.js

[Music] Ballast Update: Eric Lunde’s The fear of appearing monotonous prevents us from recording expressions which, upon such occasions, are all very apt to resemble one another

News from Blake Edwards:

Hello, and welcome to the first 2016 email from ballast.

First, and utterly foremost, thank you for your interest in this venture thus far. It’s been moving along for almost a year, and to have as many people interested in both the art I produce and the artists with whom I share affiliations and interests has been, and I’m pretty sure will continue to be, a fantastic counterbalance to my “9 to 5” life.

So, let us press on with information about the first ballast release for 2016, and some teasers for what is to come…

Out now!

NVP06. Eric Lunde: The fear of appearing monotonous prevents us from recording expressions which, upon such occasions, are all very apt to resemble one another (CDR, book, collage)

I am extremely pleased to present this reissue of a 1988 cassette withdrawn (not for audio related reasons…) almost immediately upon release at Eric’s request, a decision Eric has often said was extremely frustrating as he considers this a seminal example of both his process- and language-driven works: I am hard pressed to disagree.

As noted in his original liner notes, Eric initiated the recording process using his preferred taped reduplication process with voice but “In the middle of the engagement, I discovered at the local Radio Shack a simple biofeedback monitor…” He then used said biofeedback monitor to document responses to various readings of de Sade’s work. Although he acknowledged that the device was “rarely sensitive enough to register the slightest reaction of the mind through the body to highly aggressive sexual and violent words,” Eric still says he was satisfied with the outcome, having “always been interested in a direct form of expression: the body directly creating sound and image without interference.”

With that framework in mind, I hope you can see why I am so excited to bring this release back into the world. This edition, housed in a small 6″ x 9″ booklet, contains both the original liner notes and contemporary supplemental texts by Lunde.

One extremely special component of this edition is that each copy includes a unique, original signed and numbered 4″ x 6″ collage by Matt Taggart (known to many as PCRV). Both Eric and I have been fans of Matt’s collage work over the past few years, so we decided to commission these collages. To make things a bit more challenging / interesting for Matt, and to cement the collage’s connection to the audio, we placed some OULIPO-inspired constraints on the visual elements (outlined the booklet) to reflect the source material. Unsurprisingly, Matt delivered beautifully.

This is in an edition of 78 copies (signed and numbered by Eric, with the collage signed and numbered by Matt). The cost will be $32 ppd in the United States; for rest of world orders, please contact so I can calculate postage.

~However~!

Since you asked to be kept abreast of ballast releases, the price is $26 ppd in the United States–the rest of world will still be stuck with shipping, but the base price will still be reduced.

Some final notes about NVP 06:
1) I can (to a limited extent) provide you with the edition number of your choosing, but I’d say send three options to be safe.
2) when you make payment via Paypal, if you can do so as a “friend / family” it will spare me the administrative fees they dock.

The web presence for ballast is here:
http://ballastnvp.blogspot.com/

and, last, here is what’s coming down the pike for Ballast in 2016:

NVP07. Vertonen: Rose Gardens (CDR, textual support) The second in a trilogy of releases (which began with Send the Call Out Send). Edition of 33 copies.

NVP08. Vertonen: stutterer (CDR, visuals) A collection of more rhythmic mechanical compositions: think Esplendor Geometrico or Sat Stochismo and you’re in the ballpark. Edition of 33 copies.

…and, catalog numbers are yet to be determined for the following:

• Arvo Zylo Children of the Stones (2 x 3” CDR) Compositions by this Chicago artist that revolve around audio (and underlying concepts) from the 1970s children’s British TV program. Edition of 55 copies.

• Howard Stelzer: (6 x cs, title TBD) A master of cassette manipulation and the pride of New England.

• Vertonen: Intentional Accident (CDR, textual support) The final in the trilogy of releases (which began with Send the Call Out Send). The textual support features a key that answers all the puzzles brought up throughout the trilogy. Edition of 33 copies.

• Jason Soliday & Matt Taggart (format and title TBD)

Thank you for your time and interest,

Blake

[Music] Announcing challenging new music for challenging audiences: ‘Pintotonics n+1’ on 11/1 and ‘OORSPRONG@BIMHUIS” on 15/1

‘Music doesnt exist. It’s at most an illusion’
– Misha Mengelberg

PINTOTONICS n+1 edition January 11th 2016 is pleased to announce a solo set by saxofonist/Bclarinetist Peter van Bergen and an ensemble set by the HaFFaH quartet.

HUIS de PINTO
St Antoniebreestraat 169
1011 HB Amsterdam
(020)3700210 > reservation
www.huisdepinto.nl
Facebook

20:00 doors
20:30 start 1st set (sharp)
23:00 end of event

Tickets
10 + 7 (students/cjp)

SET ! > SOLO

PETER VAN BERGEN/REEDS

Dutch master improviser Peter van Bergen will perform a refractory solo set full of complex clarity’
http://www.petervanbergen.com

SET 2 > ENSEMBLE
The HaFFaH quartet

Christian Ferlaino/alto sax
Herbert de Jonge/piano
Hans Houtman/drums+percussion
Renato Ferreira/contrabass

.’The HaFFaH quartet will explore hidden lines between jazz tradition and ad hoc sounding innovations’

February 8 2016

SOLO SET by ADA RAVE/saxophones+preparations

ENSEMBLE SET BY ‘SPOON 3″
Jodi Gilbert/voice
Robbert van Heumen/laptop pocessing
Albert van Veenendaal/piano+prepared piano

<

OORSPRONG@BIMHUIS special edition 15 January 2016.

We are honored to be invited by the BIMhuis for a yearly appearance presenting 3 sets of unique blinddate+instant composing lineups curated by Ana Leonor Ladas/movement+Raphael Vanoli/electronics+Raoul van der Weide/acoustic improvisation.

BIMHUIS
Piet Heinkade 3
1019 BZ AMSTERDAM

www.bimhuis.nl/agenda
www.steim.nl
oorsprong.wordpress.com

20:00 doors
20:30 start 1st set (sharp!)

22:45 afterparty at BIMhuis bar by
blinddate DJ duo
DJ ‘Isonosin’ and
DJ ‘Moving Furniture Records DJ Team’.

Tickets 18 + 15 (students/cjp)
Free entrance for BIMcard holders

SET 1: Ana Leonor Ladas curator

Ana Leonor Ladas/movement
Maaike vande Westeringh/movement
Fazle Shairmahomed/movement
James Hewitt/violin
Semay Wu/cello
Tjeerd Schils/electronics
Robert van Hulzen/drums+percussion

SET 2: Raphael Vanoli curator

Raphael Vanoli/gutar+electronics
Robbert van Heumen/laptop processing
Laurent-David Garnier/olfacto-sonic objects
Joost Buis/trombone+laptop

SET 3: Raoul van der Weide curator

Stefan Keune/saxophones
Oguz Buyukberber/BassClarinet
Eric Boeren/trumpet+cornet
Michiel Scheen/piano
Kaja Draksler/piano
Yung-Tuan Ku/percussion

Light design by Ellen Knops
Audio/video registration by Alexis Kazazis

Come by if you can and share this excitingly unpredictable event with all of us!

Big thanks to Huub van Riel + BIMhuis staff for this special edition and big thanks all volunteering curators, performers and critical audiences that made OORSPRONG able to develop and survive as an improvisres initiative for improvisers since it’s start in 2009.

Special thanks to STEIM, Titia Daniels, Lali, George Hadow, Guillaume Heurtebize, Stephane Kaas, Oscar Jan Hoogland, Nicoline Lind, Plantagedok/DokZaal, Jochem van Tol.

[Music/Film] Giving A Baby A Chainsaw – An Art Apart: The Hafler Trio

Giving a baby a chainsaw – An art apart: The Hafler Trio from Carl Abrahamsson on Vimeo.

More amazing news from Carl Abrahamsson:

Andrew McKenzie is a highly renowned British artist frequently associated with sound art and experimental music. With great perseverance and integrity, McKenzie has, since the late 1970s, produced a large body of work, predominantly in performances, records and writings under the name The Hafler Trio. Recently, he has developed a concept called complementary education, also known as “complemation”, which is presented in workshops where the participants work together in making a piece of music based on the previous workshops’ finished piece. In a way, this could be seen as a potentially endless work of art that doesn’t only touch upon the dynamics of sound and music in themselves, but to an equal degree the very process of creation and self development. This perspective of regarding creation as a learning process has become one of McKenzie’s trademarks.

A film by Carl Abrahamsson, Sweden, 2015. 58 mins. trapartfilm.com