Guitar Music

[Music] Santiago Fradejas – Nila Taurica

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Santiago Fradejas’ album came as quite a surprise, not only to me, but to him. He’s a friend to this blog, and in my estimation, is among the most important young composers of the 21st Century, as well as being one hell of a fine guitarist.

This new album came from an explosion of creativity which produced 11 songs of solo guitar tracks, manipulated into a type of horror-movie or noir soundtrack vibe (think the creepier moments of Bernard Herrmann, but with an electric guitar). This is going to be a treat for those of you who like the work of Keiji Haino’s solo endeavors, and even those who like avant-garde and experimental music like Nurse With Wound or Luc Ferrari.

[Music] Noël Akchoté – All I Have To Say

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If this is all Noël Akchoté has to say, I’d say it’s quite a lot. Not since Derek Bailey has anyone, at least to my ears, make skeletal sketches sound to full. This is a solo album of standards sparsely arranged and performed on electric guitar. The most touching piece, Are You Lonesome Tonight, shows the beauty of the instrumentation, even if we’re lacking the voice of Elvis to fill this out.

Expect a few more reviews of Noël’s work here. He’s always busy crafting some new work of art, and collaborating with some fine new talent.

[Music] James Hill + Santiago Fradejas – Requiem

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The Fradejas family is no stranger to this blog. Both Santiago and A.M. have had releases featured here. This one is yet another feast for the ears.

Santiago’s guitar compositions can be explosive at times, but this more subdued, but intense performance couples beautifully with the trumpeting of James Hill, a brand new name for me to explore. ECM Records, or a label of equal quality, really ought to consider re-releasing an album like this in the future.

[Music] Hans-Joachim Roedelius & Noël Akchoté – Opus (2013)

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To review each and every release by Noël Akchoté would be impossible for this one-man blog to do, but I have the luxury of cherry-picking some real treats. This one, in particular, pairs Noël with Hans-Joachim Roedelius of Cluster fame, as well as a maestro in his own right. The album is a guitar/piano improvisation recorded in Vienna, Austria in 2013. Gentle, plucky sounds which cross into fusion territory at times.