I can find no information on Groupe Naissance except for the fact that they were a Christian psychedelic folk group out of France. Charming stuff.
Thanks to my dear friend Betül Etik, who is responsible for finding this piece.
I can find no information on Groupe Naissance except for the fact that they were a Christian psychedelic folk group out of France. Charming stuff.
Thanks to my dear friend Betül Etik, who is responsible for finding this piece.
Indies Scope Records out of Prague publish another gem! The Odd Gifts are a Czech band who dedicate this album to the migrant situation occurring throughout Europe.
While the view of the artists and this blog would be at loggerheads as to the causes and effects of the migrant situation, it is still a good gesture on their part to work with musicians who themselves are coming from outside the country, practicing what they preach (a rare thing these days).
The name of the album has two possible meanings/inspirations:
It wasn’t easy to choose the title Migrant Songs, because this topic was so omnipresent already a year ago. But I could not turn back, as the songs really started to work and communicate under this overarching title. They became truly Migrating Songs, producing ever new analogies, meanings, exchanging sounds, themes, guest musicians, and even authors. (Three of the songs are to a different extent remixes of other songs.) For me, looking for analogies is a way to a more complex perspective. I enjoy moments when what at first looks like a comical parallel yields the possibility of a new point of view, a new encounter.
Ondřej Galuška has done quite a job synthesizing post-punk, a touch of ska, new folk, jazz, and good songwriting. Particularly engaging was the song “So Divine.”
Click on the picture if you would like to purchase the album directly from Indies Scope Records.
The Incredible String Band were at their best when the Scottish acid folkies would just let go and jam for long stretches at a time.
Folque were a Norwegian folk-prog band who were active in the early 1970s. According to some comments I’ve read recently, though they didn’t make much of a dent in the American market, they were quite popular in Brazil, of all places.

I never wanted to turn my blog into an obituary list, but it seems that 2016 is the year to do that. The legendary violinist of Fairport Convention has passed on. The New York Times’ Jon Pareles writes about Dave’s passing here.
https://www.youtube.com/watch?v=-9K8s5xH6NU
Breton harpist Alan Stivell interprets a 19th Century folk song from the South of Brittany and makes it his own.
Family were a folk-prog band led by singer and guitarist Roger Chapman. This track features a touch of sitar and a gentle, hazy vibe to it.
https://www.youtube.com/watch?v=dF5xVnTo8gs
Lindisfarne were the ‘gateway-drug’ for me to get into progressive folk. It turns out that guitarist Simon Cowe passed away this week, according to Angel Romero at World Music Central. This track is in his memory.
https://www.youtube.com/watch?t=35&v=JVUuQu5iGj8
I wish to thank my Google+ friend and colleague, Mehmet Hanedar, for always providing me with a glimpse into Turkish, Turkic and Central Asia music.
Today’s artist, Ferdi Tayfur, hails from Turkey and was seen as a leading light in Arabesque Music in the 1970s.
Folk-psych from 1977. The band Love is not the legendary Los Angeles band fronted by Arthur Lee, but a Japanese group who churned out at least one magnificent album before disappearing into the aether.
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