[Music] john foxx — the sunday experience

https://youtube.com/watch?v=QjA-aFWOZOw%3Fversion%3D3%26rel%3D1%26fs%3D1%26autohide%3D2%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26wmode%3Dtransparent

If you happened to be one of the lucky folk who managed to grab a subscription edition of the latest issue of Electronic Sound magazine, then inside not only were you graced with a John Foxx cover replete with a firsthand account by the man himself about the coming to be of his scene defining […]

via john foxx — the sunday experience

I won’t cry poverty, but I do regret not having the funds to pick this one up!

[Music Podcast] Xmas Mizzztape by Debbie Wayne

Thanks very much to Debbie Wayne for posting one of the coolest Christmas podcasts I’ve heard in years!

Here’s the track list:

  1. Things Fall Apart – Cristina
  2. Xmas With Simon – The Fall
  3. Motel Christmas (excerpt) – James Ferraro
  4. Ding Dong – X-Ray Pop
  5. La bataille de neige – Dominique Dumont
  6. Doux Christmas, Noël Soft – Les Amis au Pakistan
  7. No More Christmas Blues – Alan Vega
  8. Breakfast At Christmas – Hillcrest Club
  9. Christmas On Riverside Drive – August Darnell
  10. Partytime – Graeme Miller & Steve Hill
  11. The Twelve Days Of Christmas – Winston Tong
  12. Belle Tristesse 妙なる悲しみ – Miharu Koshi
  13. Noëlle à Hawaii – Antena
  14. Christmas in Suburbia – The Cleaners From Venus
  15. She’s Coming Home – The Wailers

[Music] Astral & Shit -XĤ


Though I’m not a big fan of bands who release new music almost daily, there are a handful whose work I enjoy in small doses. One of these is the Russian project Astral & Shit.  Yes, I know, lovely name, but the music is soothing enough to let one drift into the Solaris Ocean when one is feeling a bit exhausted from the daily grind.

With well over 660 releases to their credit, I’m not about to become a completist, but it’s nice to know that there are artists who are putting out high-quantity/high-quality ambient music to keep my ears busy.

[Music] Midnight Radio – NOIR JAZZ


I never thought I’d review a Signora Ward release here, namely due to a prejudice I’ve developed against modern noise, as too many releases sound like some idiot kid flipping on the vacuum and then recording it, and THEN having the nerve to expect someone to pay for that garbage.  Thankfully, I was wrong about this particular label.  Perdonami, Signora!

This compilation is a teachable moment for me.  Never, ever judge a record label by one or two releases, as every one of them have the capacity to surprise you with something utterly brilliant.

Thanks to groups like the Orchestra of Mirrored Reflections (friends of the blog whose works have been reviewed here in the past) and the Kilimanjaro Darkjazz Ensemble, I’ve begun to fall in love with the deep, creepy, noir-ish sounds they emanate.  Signora Ward have done a service in collection some of the leading lights of the darkjazz genre together to make one of the most enjoyable collections I’ve heard in a while.

I’ll do well to pay more attention to this label in the future!

[Music] Jeton Hoxha – Vowel


I’m tempted to say that this release came from out of nowhere, but that simply wouldn’t be true.  Once again, my good friend Raffaelle from Eighth Tower Records releases a bombshell of a release for those of you who are into drone, especially of the kind made by luminaries like Thomas Köner or the Cold Meat Industry roster.

Jeton is a Macedonian sound artist from Struga, Macedonia, who goes deep in for bleak, rumbling sounds which give you a good shaking, especially if you decide to download the FLAC file and hear it on great headphones.

Essential.

[Music] Reptilicus & Senking – Unison


There are times when bleak post-Industrial music can be absolutely rhythmic and beautiful.  A case in point is the release by Artoffact Records’ of a performance by Iceland’s finest dark-electronics project Reptilicus.  This was a performance done in Toronto, Canada, organized by Praveer Baijal, founder of the seminal Toronto label Yatra-Arts, on the happy occasion of new output in the form of a 7-inch release after a (far too) long period of inactivity.  For the performance, they were joined by Germany’s Senking, Denmark’s Rúnar Magnússon, and Candian duo Orphx.

The group recorded a session at Grant Avenue Studio in Hamilton, Ontario, built my Grammy Award-winning producer and musician Daniel and Bob Lanois and  after Baijal introduced Reptilicus to William Blakeney, who at the time was producing a modular-synthesizer documentary called I Dream of Wires.

This collaboration bore fruit in the recording you hear here.  A lot of the material is reminiscent of early Industrial experiments (think more about early Cabaret Voltaire than Throbbing Gristle or NON), yet with a far crisper, dynamic sound.  Reptilicus has since become augmented with Rúnar serving as third member, and it is our hope that this unit continue to record.