[Music/Interview] Destruktionsanstalt – Ex Bello Volaptus (plus interview with Per Najbjerg Odderskov)

Destruktionsanstalt is one of several monikers used by Danish composer Per Najbjerg Odderskov. Per is no stranger to this blog, as we had the pleasure of reviewing his previous release, Swedenborg, a master work of bleak ambient music. His latest release, Ex Bello Volaptus, builds on that foundation, at once creating something akin to SPK and the early Sheffield sound which produced the grimy sound of early Cabaret Voltaire and Hula.

We had the pleasure of having a chat about his music:


AMOTM: I just started listening to the new release. What inspired you, because it sounds even more powerful that the last one we reviewed?

Per Najbjerg Odderskov: It was more or less a unconsciously choice .. It felt natural to build on something which this project was build upon. A see the one as a bigger, brutal brother to Vivens Monumentis. (Craneal Fracture 2015)

Inspirations… came out of boredom. I was living in a town where I didn’t know a soul, and nothing was happening. I think this album was a reaction to that.

AMOTM: Boredom seems to be the spark of so many great musicians.

PNO: Yup… I think Trent Reznor said the same thing, same as those musicians from Sheffield who pioneered British electronic music. When you’re bored, you’re isolated in your mind. It’s easier to have more focus on things without being disturbed, although I am doing music which some find disturbing.

AMOTM: It’s almost as if you have time to meditate on a crumbling world. Would that be a fair idea to hold? Considering how messy the world is, it seems like now is a ripe time for musicians like yourself to give full expression to a vision of a rather gruesome political, religious, and cultural situation.

PNO: I think that… I don’t know. So much is happening as we speak that it’s hard to mentally digest. We’re being mentally bombarded with terrorism, politics, religion, hate crimes, almost to the point where nothing matters. Nothing can shock anymore –
we’re getting more and more numb to these tragedies. Tuning into that sound of numbness, would probably describe the theme of Ex Bello Volaptus I think..

AMOTM: I’d say so. The album is definitely shares much in common with its predecessors like Throbbing Gristle, that mighty Sheffield scene which produced Cabaret Voltaire, and of course, SPK. In general, were there any projects outside of the early Industrial Records movement which inspired your work?

PNO: Well, I guess NON have had a huge impact. Also the rhythmic brutalism of Esplendor Geometrico. Nocturnal Emmissions is also another project I have a huge love for. Konstruktivists as well. But still, witnessing Throbbing Gristle live on original VHS-tapes back in 1998… Jeez… My life changed when I saw those 4 tapes in one night!
I had most of their albums on CD, but live .. That was powerful!

AMOTM: Heh, I can imagine. I stumbled into this music in my teenage years during the 1980s, and I’d have to say I’ve never been quite the same since! Are there any other influences which motivate the work of Destruktionsanstalt or any of your other projects? Film or literature, for example?

PNO: Literature from Lovecraft, Poe, Robert E. Howard, Brian Lumley, Ramsey Campbell. Love that kind of pulp horror, from Gothic to splatter-punk. If we´re talking about art as in paintings then I’ll have to mention Giger and Richard Corben. And regarding movies… The classics of horror cinema: Texas Chainsaw Massacre, Henry, Nosferatu (K.Kinski), Alien, and also arthouse flicks like The Begotten and Possession, and of course watching old and classic Dr. Who episodes (black and white) with William Hartnell or Patrick Troughton. The classic vintage synth soundtrack on them are amazing, by the BBC Radiophonic Workshop.

AMOTM: You’ve done a splendid job synthesizing these influences into something focused and cohesive. Are there any plans for touring, or performing in festivals or art installations any time this year?

PNO: Hmmm… I’m doing an art installation in July in Aarhus. This town even got a prize as being the Cultural Capitol of Europe of 2017. So I guess I’m going into the art world. I’m presenting a HNW video on a screen with cars crashing in Russia. I´m surprised that I got approved!

AMOTM: Now is as good a time as any to send Destruktionsanstalt into the art world. It may well be a breath of fresh air, considering most installations these days are rather lifeless. Should be expect any new projects this year under Destruktionsanstalt or any other aliases?

PNO: God Cancer I’m keeping my focus on. Having some ideas for this project. Big-city vintage-synth-soundtrack is a way to describe it; lots of improvisation and weird glitch sounds.

AMOTM: We look forward to hearing this, and wish you continued success with this remarkable new release by Destruktionsanstalt.

PNO:
Thanks, and blessed be.

[Music] New Post Punk & Drone from Magnetic Ghost, Remora, & Luka Fisher on Silber

A press release from our friends at Silber Media:

Hello,

Happy Thanksgiving. I hope you all are well. Doing my best to be thankful for the relatively good place I’m in even though life has been routinely difficult this year. But hey, life is supposed to be hard work anyway right? We’ve got three new releases ready for you now & then in just a few days the Christmas EPs will be ready. Maybe more stuff too as I’m trying to get out all the stuff that’s been waiting on me, some for over a year now.

Magnetic Ghost
So first up is Magnetic Ghost’s debut Loss Molecules. It’s a bit of a post punk & post rock hybrid. The thing it reminds me most of is Windsor for the Derby’s Difference & Repetition, which is an album that gave me a lot of ideas about music. Anyway, you should check it out. I agreed to put it out after hearing the first three minutes.
Listen or buy on Silberwww.silbermedia.com/MagneticGhost/lossmolecules.shtml
Listen or buy on Bandcamphttps://silbermedia.bandcamp.com/album/loss-molecules
Listen on Spotifyhttps://play.spotify.com/album/4mwQocOx3oBlz5tbAQdCBH

Luka Fisher
Luka Fisher put out a 5in5 last year & he recorded another little EP for us (this one 3 songs in 7 minutes). Improvisational drone collaborations. Worth checking out.

Listen or buy on Silber – http://www.silbermedia.com/LukaFisher/minddrone.shtml
Listen or buy on Bandcamp – https://silbermedia.bandcamp.com/album/mind-drone-business
Listen on Spotify – https://play.spotify.com/album/2WqtztfODfxQhq345omwKL

Remora
Finally there’s an epic rarities release from Remora. 98 tracks & 6.5 hours. Available exclusively on Bandcamp as a free download for the next month, so nothing to lose — especially if you listen to it at work!
Listen or buy on Bandcamp – https://silbermedia.bandcamp.com/album/scraps-scrapes

More soon. Thanks for your interest & support & spread the word about the new releases if you can & if you want to be taken off the mailing list just let me know.

Hrt
Brian John Mitchell
www.silbermedia.com
https://www.facebook.com/silbermedia
http://twitter.com/silberspy
https://play.spotify.com/user/silberspy

[Music] Troum – Acouasme

Stefan Knappe is a man who wears many hats. He runs Drone Records, which releases some of the best in dark ambient and experimental music, and serves as both a mailorder and distributor of music not directly found on his label as well.

The talent we wish to concentrate on is as a composer with his project TROUM. In this release from 2015, Knappe unleashes a cascade of some of the darkest experimental music I’ve heard in some time. It is dark, however, in a way that is not vulgar or cheap, as too so-called ‘noise’ bands are wont to be. You won’t hear any children with vile fetishes for rapists or serial killers who turn on their vacuum cleaners and try to sell this as ‘music’. No, in this case, Knappe actually goes through the process of crafting something worthy of being a soundtrack to a very intense film. There is a lot of sub-bass throbbing and pulsating, but all of it done with the precision of a master surgeon who knows how to weild his scalpel. TROUM is always releasing music of note, or collaborating with others to do the same.

If you have a Bandcamp account, follow his work. You will find no disappointments there.

[Music] RLW / PAAK – Zur Arbeit I

From Attenuation Circuit’s Bandcamp site:

Ralf Wehowsky and Peter Kastner, aka RLW and PAAK, present their third collaborative album in a series of concept albums dedicated to various subjects. This record, their first on attenuation circuit, is about work, and as on the previous records (about food and religion, respectively), the titles, liner notes, and the sound itself suggest a rather sarcastic take on work, or more precisely, the situation of working people today.

Ralf Wehowsky has been a fixture on the international experimental scene since his 1980s work with P16.D4 and related projects on the Selektion label. The fusion of electronic sounds and non-musical, musique concrète material is characteristic of much of his work. Peter Kastner, working both in improvised sound and visual arts, brings a low-fi approach to jerrybuilt sound objects to the collaboration. By contrasting everyday noise that might well have been recorded in a factory, or factory canteen, with startlingly artificial, almost deliberately cheesy harpsichord and mellotron sounds, they create a tension between a nostalgia for beauty and the barrenness of everyday life, in three pieces, or perhaps movements. The liner notes leave no doubt as to what the three movements stand for: The 19th century with its mass exploitation of industrial workers (courtesy of a quote by Karl Marx), the 20th century with its progress toward more social security for working people, and the 21st century, which sees an erosion of solidarity as neoliberal policies take away social benefits such as rent-controlled housing.

Crap Marxist verbiage, but great music, as always.

[Music] Benjamin Aït-Ali – Ballet and Other Works

This release, by French experimental music composer Benjamin Aït-Ali, is, and probably always will be, the shortest release I’ve had the privilege to review. Ballet and Other Works clocks in at around 3 minutes, but as with the legendary Cinéma Pour L’Oreille series released by Metamkine in the early 1990s, the compositions waste no time in getting to the point.

Aït-Ali is among a new vanguard of composers who will take the flame from the legends of electroacoustic music such as Pierre Henry, Pierre Schaeffer and François Bayle. It sounds like a tall order, but I’d challenge you to study his work. You can listen to Ballet and Other Works here, via OBS Records, based in Rostov-on-Don, Russia, or at Benjamin’s Bandcamp site. More samples of his work can be heard via Soundcloud.

[Music] Machinefabriek & Philippe Petit – Angry Ambient Artists Vol​.​1 — Yeah I Know It Sucks

artists: Machinefabriek & Philippe Petit title: Angry Ambient Artists Vol.1 keywords: ambient drone electro-acoustic industrial noise Manchester label: Forwind http://www.forwind.net/ On side a there is the very angry ambient artist named ‘Machinefabriek’ with an angry ambient track named ‘Graniet’. The high pitched beeps do certainly hit a nervous angry nerve in my very angry ambient […]

via Machinefabriek & Philippe Petit – Angry Ambient Artists Vol.1 — Yeah I Know It Sucks