I have a sneaking suspicion that the legendary Divan poet Fuzûlî didn’t dabble in modern hip-hop during the 1500s, though who am I to suggest that the young, enterprising souls in bastrd didn’t go back in time and ask him to sample a few grooves for him?
Rather elegant jazzy lo-fi beat music out of Northern California. A worthy purchase.
I NEVER get mail from local bands or record labels. It’s been a constant since I started writing to musicians. Part of it was because I could see them at my leisure, but part of it was because it wasn’t ‘cool’ to talk to local indie rags, only to people from the outside. Well, today, I can say that I can finally promote a local person. Breatherrr is a trip-hop act with retro influences which bring up genres like electro and new wave. I’ll have to investigate further.
My Facebook friend, Rididillo Theitalian, has long been a source of wonderful music for me. She goes down memory lane to dig up The Sofa Surfers, an Austrian project mixing trip hop, dub and acid jazz together flawlessly.
For years, I had a crush on Róisín Murphy, singer of Moloko. That ended, to a degree, when she went solo, as little she’s done since Moloko’s breakup has moved me as much as this material did (and still does).
Andrea Parker produces something I hate calling trip-hop, as it seems so limiting. She’s on another plane in the world of electronica.
1. 0:00 peripheral vision
2. 3:07 avocado drive
3. 6:16 control freak
4. 10:13 crash mat
5. 15:45 vector mode
6. 19:24 nuva beat
7. 24:20 troublesome
8. 26:00 digital domain
9. 32:05 allegorical
10. 38:58 giant massmantix
11. 42:28 27th ave
12. 45:54 barhomet
13. 48:53 overpass
14. 51:00 ramsek
15. 53:08 smash up
16. 56:31 coron data
Albanian gypsy music meeting electronica, perfectly balanced? Kudos who Fanfare Tirana and Transglobal Underground for this massive hit!
The Cinematic Orchestra hail from London, and their sound matches their name splendidly. Rare is the band who can work comfortably in both electronica and something akin to soundtrack music. Some try, but they don’t quite pull it off as elegantly as these lads do.
How on Earth did I miss out on this one? Ian Astbury must have been on haitus from The Cult while making this track for the electronic music group U.N.K.L.E. His voice is in very good form here, and U.N.K.L.E. provide a perfect backdrop for it.