Slovakia’s Adam Kvasnica produces my favorite serious of podcasts. He’s a crate diver par excellence. Consider following him if you want to be exposed to all sorts of strange finds.
Electronica
[Music] IXΘΥΣ – ㊢
Witch house and its related genres are areas I can’t claim to have a great knowledge of. It’s made worse when I can’t pronounce the names of half of the bands, or their song titles, due to cute tricks played by these children who, I doubt, know the meanings of what they’re using as names for their projects. Thankfully, we have more serious artists like Zane Michael O’Brien, who also does business under the monickers Zanye East and the aforementioned IXΘΥΣ (no, not Icthus, as in the pre-Ecumenical Council symbol Christians used to identify each other as fellow believers, but as whatever Zane sees fit as a reason to use such a name).
㊢ is a collection of remixes Zane has done for other bands who do everything from witch house to vaporwave and other genres I can’t bother keeping up-to-date with. What informs his music is a combination of experimental music as well as what used to be termed as Electronic Body Music or Industrial Dance, represented by the likes of Frontline Assembly, an old favorite of mine. The use of samples repeating hypnotically until you become so numb to the sound that a switch to a new track startles you also gives this a feel of some of the better elements of Nurse With Wound in their early, more Musique concrète years. Of particular note is the final track, Laura’s Got An Aura. There is a poem which is constantly repeated, along with incantations of one sort or other, which allows the listener to be lost in this psychedelic haze of a remix.
IXΘΥΣ’s latest release is worth your time. Consider exploring it and allowing it to envelop you for a while.
[Music] John Tejada – Parabolas
John Tejada is, by far, one of the most creative techno composers operating today. Certainly among the best in the United States.
[Music] Robert Scott Thompson – Pale Blue Dot
Shame on me for not knowing so much about the work of Robert Scott Thompson. I had the pleasure of hearing his work via samples over on Soundcloud, but it wasn’t until recently that I thought to properly explore one of his albums. There’s nothing quite like hearing these pieces in their proper context.
It’s not fair to compare Thompson’s work to artists like Steve Roach or Robert Rich, both masters of their field, because there’s something quite bright about this. This isn’t ‘dark’ ambient, but a rather powerful, uplifting sort of music. There is a warm thread throughout the music, and after a few listens, the album really began to reverberate inside of me.
I’m very much looking forward to exploring more of his work.
[Music] Hülya Süer – Şeker Oğlan (Kozmonotosman Rework)
Hülya Süer was one of Turkey’s biggest pop names throughout the 1970s and 1980s. Her tune gets reworked by Kozmonotosman. Click on his name to find other great reworks.
[Music] Various Artists – Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992
Brazil, the land of gorgeous women, sensuous music, favelas, beaches, crime and jungles, was also the home to a very healthy experimental music scene during the late 70s and early 80s.
The Dutch record label Music From Memory is responsible for publishing this amazing comp.
[Music] Nyege Nyege Tapes Spotlight Uganda’s Burgeoning Electronic Music Scene

Uganda isn’t the first place one thinks about regarding electronic music, but thanks to the Internet, boundless curiosity and many visits by those promoting the genre (such as C-Drik of Syrphe Records), the scene is growing into something rather healthy and strong.
More on the scene courtesy of Bandcamp.
[Music] Robert Fripp – Easter Sunday
A perfectly sublime work by King Crimson guitarist Robert Fripp to end the Easter festivities.
[Music] Erik Wøllo – Motion Blue
Thanks to Sam at Projekt Records for advertising that Norwegian electronic music legend Erik Wøllo has a new track available.
[Music] Nik Bärtsch’s Ronin – Live

Swiss pianinst Nik Bärtsch leads his band Ronin on a reissue of a live set released way back in 2006.