
What a cover. Julia Guther’s “remixed artwork” is the EP’s entry point, making one think, I have to hear this.
For more, read here.
To hear Mikael’s music, go to Bandcamp.

What a cover. Julia Guther’s “remixed artwork” is the EP’s entry point, making one think, I have to hear this.
For more, read here.
To hear Mikael’s music, go to Bandcamp.
Björk seemed to be peaking when she recorded this track for her 2011 album, Vespertine. If you’ve ever had the chance to hear this in 5.1 Surround Sound, it’s a delight to the ears.
Fake Plastic Heads hail from Munich, Germany, but their sound brings together a disparate blend of styles. There’s little else out there which blends electronic music genres so well.
David Bowie, Brian Eno, Philip Glass, all remixed by Aphex Twin. As collaborative efforts go, it doesn’t get much better than this.
As if I don’t have a number of interesting reasons to visit Russia. The Day Of Life Forgotten is an independent net label operating, it seems, out of Moscow (though if it’s not the case, I’ll update the post). This release, by my friend Alexei Serebreikov under his monicker Скрижали сна, is a great balance of electronic music, mixing elements of psychedelic music and drum & bass, a touch of IDM, all the while keeping everything sounding balanced and rhythmic. Something worth pursuing.
Precisely what the doctor ordered for such a dark, gloomy day outside. Luke Vibert (Mr. Wagon Christ himself) offers up some dark, jazzy down-tempo music to enjoy.
Andrew Jervis broadcasts for Bandcamp.com as their chief curator and host of the Friday Night Session radio show (KUSF). I only wish Bandcamp would host more shows, but if this is it, it’s a damn good one.
This week’s show highlights Awesome Tapes from Africa, and Paris Strother, one third of the soulful Prince protégés known as King.
Click here for the show.
Post-globalcast 022 by Postglobal on Mixcloud
Macedonia’s finest podcast for experimental music, courtesy of Toni Dimitrov.
An impressive compilation from a new label out of Tehran, Iran, a place not normally associated with experimental music. What’s more impressive is that this comp covers a mix of local and international talent. Bitrot Records are certainly worth a continued look.
New work by my friend Christopher Morley (Mr. The Diplomatic Core himself). Bombastic, interesting rhythms. I’m looking forward to a full album of this.
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the greatest songs of the 1960's that no one has ever heard
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the aim of art is to represent not the outward appearance of things, but their inward significance
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