[Music] Lalgudi Jayaraman and Amjadh Ali Khan, Jugalbandhi

https://youtube.com/watch?v=kgYVN5L3DJU%3Fversion%3D3

via lalgudi jayaraman and amjadh ali khan, jugalbandhi — The Hum Blog

From Bandcamp:

Often, when discussing my passion for Indian Classical music – attempting to offer entry into its remarkable traditions for others, I raise instrumentation. Particularly in my early explorations, this was a crucial vehicle for discovery.

By far the most well know instrument in the Indian Classical traditions, thanks in large part to the popularity and fame of Ravi Shankar, is the sitar, but, for this very reason – its presence in pop culture, it was an instrument which I almost exclusively avoided during my first years plumbing the depths. It was my quest for, and response to, other sounds, which illumined the path.

The two primary traditions of Indian Classical music – the Carnatic and the Hindustani, are among the oldest living traditions on the planet. Many of the ragas played today, date back thousands of years. While often difficult to discern – so much time and evolution having transpired, this music lays at the root of countless distinct cultural traditions fingering across the globe. It is the well from which so much springs, making the examination of its instruments a fascinating web.

[Music] Spooky Tooth & Pierre Henry – Offering

https://www.youtube.com/watch?v=FdCmvE0Vnbk

I am well aware that some of my friends and colleagues hate this song, considering it near the bottom of Pierre Henry’s musical canon. So be it.

The reason I’m featuring this tune, however, is for two reasons. First, it was my introduction to Henry’s work. I wasn’t much of a hard-rock guy, and Spooky Tooth didn’t hold a lot of interest for me, but seeing the record cover had me wondering what sort of racket these guys were making. Second, the concept of a rock/experimental mass, based on the Apostolic Christian model, left me intrigued.

I know that Henry’s fellow composer, Pierre Schaeffer, was a devout Roman Catholic, but I read nothing of Henry’s beliefs over the years. Still, it was a nice gesture, an interesting project, and a doorway to Pierre’s far more adventurous works.