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[Music] Necromishka – The Space Between Us

This is another weird, nearly terrifying, yet wonderful work from the nexus of musicians floating around Tel-Aviv and involving Tamar Singer.

Necromishka continue the neofolk tradition, mixing it with some of the hallucinatory vibe which gave early Current 93 its power.  The vocals in Beast of Prey, for instance, are slowed down to something so eerie that they should have belonged to a character in a David Lynch movie.

The other tracks give the feel of the soundtrack that should be made, if anyone is insane enough to try it, of Isadore Ducasse’s ur-Surrealist masterpiece, Les Chants de Maldoror.

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[Music] Sieben – Crumbs (reviewed by Santa Sangre)


Much respect to Peter Marks of Santa Sangre Magazine for reviewing my favorite Apocalyptic Folk violinist (and very cool chap) Matt Howden.

[Reviewed by Peter Marks] Ah just look at him on the cover in his Sunday tea time best. Flip the panel and you’ll see how thin the veneer is as a Guy Fawkes mask and full fencing uniform greet you; there can be no doubt that we’re living in extraordinarily perilous times with one guy […]

via Sieben – Crumbs — Santa Sangre

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[Music] The Hare And The Moon – The Hare And The Moon


The Hare And The Moon were a folk horror (yes, it’s a genre) band out of Scotland who finally ended their run in early 2017 after a string of astounding discs.

This disc seems to be the first one they released in 2009.  Their sound reminds me of early Current 93, especially during the period when they released Swastikas For Noddy (Goddy).  A truly exquisite gem in all of its weirdness.

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[Music] Leila Abdul-Rauf – Diminution


The first time I came across San Francisco, California resident Leila Abdul-Rauf’s name was when she was playing with the all-female avant-garde metal/dark ambient band Amber Asylum.  She has become a far more powerful musician as time has passed (if you know anything about her previous work, that’s very high praise), and, given the brutal darkness of the one track shared, this new album should end up quaking my speakers rather badly (and yes, I’m looking forward to that).

The album is due to be released on April 13.

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[Music] Richter Scale – A Ripple on the Richter Scale


In 2008, Legendary Pink Dots members Edward Ka-Spel and The Silverman trekked over to Chile where they made a collaboration of Michel Leroy of Un Festín Sagital, Chile’s finest experimental neofolk group.

This hazy, drony, Krauty improvisation is the fruit of their meeting.  Stunningly hypnotic work.

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[Music] 破地獄/Scattered Purgatory – 山險峻​/​Sua​-​Hiam​-​Zun

Scattered Purgatory are a heavy psychedelic band out of Taipei, Taiwan, whose influences seem to include Krautrock bands like Can and Amon Düül II, as well as Japanese psychedelic-folk bands like Ghost.

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[Music] Ghost Bike – Nothing Charms

I don’t know what’s going on in Jerusalem these days, but it seems there’s quite a goth/darkwave/witch-punk scene brewing over there.

Thanks kindly to Tamar Singer for recommending me the work of her colleague Vlad Shusterman (working as Ghost Bike), whose work reminds me of bands like early Sisters of Mercy, Rubella Ballet and X-Mal Deutschland in their calmer moments.

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[Music] Zeresh – Sigh For Sigh EP

I love unsolicited material coming into one of my many inboxes. I ended up having the pleasure of discovering Zeresh, a neofolk band out of Israel who rather deftly interpret, on three of the four songs, the poetry of William Ernest Henley (of Invictus fame).

There is a lot of dark, pulsating music that would have been rather comfortable inside of the earlier releases of Current 93.  Looking forward to hearing more, obviously.

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[Music] Kikagaku Moyo – Forest of Lost Children (2018 Reissue Pre​-​Order)

Japanese band Kikagaku Moyo have become my favorite modern psych band.  Though this particular release came out in 2014, it has now been reissued on vinyl.  The band carry the tradition of bands like Ghost and and perhaps The Flower Travellin’ Band.

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[Music] Jurica Jelić – Songs from the Attick (EP)

The latest release by Jurica Jelić marks his third appearance on our modest blog. This EP is a bit of a departure, as Jurica’s vocals, a deep, resonating baritone, gets prominently featured on this release. It’s hard to believe that he’s hitting notes that comparable singers like Michael Gira (Swans, Angels Of Light) could not hope to hit.  With a voice like this, I can’t help thinking that he’d appeal to those into neofolk, apocalyptic folk, or gothic music.