[Reviewed by Peter Marks] Ah just look at him on the cover in his Sunday tea time best. Flip the panel and you’ll see how thin the veneer is as a Guy Fawkes mask and full fencing uniform greet you; there can be no doubt that we’re living in extraordinarily perilous times with one guy […]
The Hare And The Moon were a folk horror (yes, it’s a genre) band out of Scotland who finally ended their run in early 2017 after a string of astounding discs.
This disc seems to be the first one they released in 2009. Their sound reminds me of early Current 93, especially during the period when they released Swastikas For Noddy (Goddy). A truly exquisite gem in all of its weirdness.
The first time I came across San Francisco, California resident Leila Abdul-Rauf’s name was when she was playing with the all-female avant-garde metal/dark ambient band Amber Asylum. She has become a far more powerful musician as time has passed (if you know anything about her previous work, that’s very high praise), and, given the brutal darkness of the one track shared, this new album should end up quaking my speakers rather badly (and yes, I’m looking forward to that).
The album is due to be released on April 13.
In 2008, Legendary Pink Dots members Edward Ka-Spel and The Silverman trekked over to Chile where they made a collaboration of Michel Leroy of Un Festín Sagital, Chile’s finest experimental neofolk group.
This hazy, drony, Krauty improvisation is the fruit of their meeting. Stunningly hypnotic work.
I don’t know what’s going on in Jerusalem these days, but it seems there’s quite a goth/darkwave/witch-punk scene brewing over there.
Thanks kindly to Tamar Singer for recommending me the work of her colleague Vlad Shusterman (working as Ghost Bike), whose work reminds me of bands like early Sisters of Mercy, Rubella Ballet and X-Mal Deutschland in their calmer moments.
I love unsolicited material coming into one of my many inboxes. I ended up having the pleasure of discovering Zeresh, a neofolk band out of Israel who rather deftly interpret, on three of the four songs, the poetry of William Ernest Henley (of Invictus fame).
There is a lot of dark, pulsating music that would have been rather comfortable inside of the earlier releases of Current 93. Looking forward to hearing more, obviously.