https://www.youtube.com/watch?v=0V8IBBmkgAw
Throbbing Gristle’s 2009 release was something of a swansong for the band before the death of founding member and Coil legend Peter “Sleazy” Christopherson.
Truly, with this release, they went out on top.
https://www.youtube.com/watch?v=0V8IBBmkgAw
Throbbing Gristle’s 2009 release was something of a swansong for the band before the death of founding member and Coil legend Peter “Sleazy” Christopherson.
Truly, with this release, they went out on top.
The label’s roster has always featured a wide breadth of sonic explorers, from ambient artists through very heavy metal and post-metal acts to jazz fusion.
via 20 Years of Southern Lord’s Dark and Heavy Art — Bandcamp Daily
It’s amazing to think that this label has been around for 20 years, and I missed a good fifteen of those due to ignorance. May they have another happy 20.
Multi-instrumentalist Saulius Petreikis pairs with fellow Lithuanian musician, the vocalist Rasa Serra. It’s ethereal music that would, in some way, appeal to fans of Dead Can Dance as well as those who enjoy Baltic music in general.
I’ve been spending a lot of time listening to releases by James Murray’s beautifully-curated label Slowcraft Records. This one by Alapastel, at least given the two tracks available currently (the whole album will be released on March 9), seems to be the gem of the collection so far.
Lukáš Bulko (the aforementioned Alapastel) is a composer out of Slovakia, where a lot of amazing independent music is coming out of these days. He manages to patch together a mesmerizing blend of contemporary classical music, a touch of musique concrète, and maybe a speck of post-rock in a way not dissimilar to Ólafur Arnalds. I’m very much looking forward to following which direction Lukáš will go in the future.
For a more in-depth review, I recommend visiting Dan’s review over at Fluid Radio.
I don’t know what’s going on in Jerusalem these days, but it seems there’s quite a goth/darkwave/witch-punk scene brewing over there.
Thanks kindly to Tamar Singer for recommending me the work of her colleague Vlad Shusterman (working as Ghost Bike), whose work reminds me of bands like early Sisters of Mercy, Rubella Ballet and X-Mal Deutschland in their calmer moments.
I love unsolicited material coming into one of my many inboxes. I ended up having the pleasure of discovering Zeresh, a neofolk band out of Israel who rather deftly interpret, on three of the four songs, the poetry of William Ernest Henley (of Invictus fame).
There is a lot of dark, pulsating music that would have been rather comfortable inside of the earlier releases of Current 93. Looking forward to hearing more, obviously.
Mark McGuire is a guitarist and improviser out of Cleveland, Ohio, who has a large body of work available via Bandcamp, but this one caught my ear because of pleasant, gentle, floating music within. There’s a vibe here that reminds me less of psychedelic music, and more of something akin to early Pink Floyd or Krautrock.
My friend Maurice Pozor has released an intriguing album. Though in the Bandcamp tags the album is listed as a noise or experimental album, this has to be some of the most gentle ‘noise’ I’ve heard in some time. It’s a rather floaty piece, somewhat in keeping with good electronic music from the 1970s and early 1980s, but with a far crisper, cleaner sound.
Greek pianist and composer Zinovia Arvanitidi has a new disc coming out, and if the one track she and record company Kitchen Label shared is any indication, it will be a spectacular release. From her Bandcamp site:
“There is a life and there is a death, and there are beauty and melancholy between.”
Born in Athens, Greek composer Zinovia Arvanitidi is most widely remembered as one half of the duo Pill-Oh in Vanishing Mirror as well as her debut solo The Gift of Affliction. Zinovia returns with her first solo piano album titled Ivory, and like its precursors, further highlights her mastery in crafting piano ambiances of austere beauty and melancholia, led by mesmerizing melodies and evolving cinematic textures.
Fully self-produced, the now France-based composer navigates through her own time-memory universe with Debussy-like impressionistic daubs, but sublimely she draws the listener into a strangely familiar landscape where the past confronts the present – it is perhaps a dimension that exists within all of us. As the chapters unfold, memories are untangled as darkness shifts into light. The minimalistic nature of the early piano pieces are then transformed, lush and ornate with orchestral strings, subtle electronic atmospheres, field recordings and airy whispers.
An omnipresent sense of duality lingers throughout the album, as with the ivory and ebony colours of piano keys, or the birth and decay of seasons. This is a work where the artist has grasped the essence of the quote by Albert Camus: “There is a life and there is a death, and there are beauty and melancholy between”. The aural journey heightens, then subsides with a newfound serenity in closing, engaging the listener to invoke their own introspections on acceptance and healing.
Rooted in film and television (and represented by film composer agency Oticons among the names of Shigeru Umebayashi and Jan A.P Kaczmarek), Zinovia’s well-versed background in cinematic scoring manifests in her dexterity at veiling intricacies within each track that only unveil themselves with each subsequent listen. As a fully expanded realisation of Zinovia’s artistic voice, Ivory will resonate with fans who love Pill-Oh, and appeal to those familiar with Ryuichi Sakamoto and Dustin O’Halloran.
French photographer Aëla Labbé’s enigmatic cover art photography once again unifies with Zinovia’s soundscapes since her work for Vanishing Mirror.
Zinovia Arvanitidi releases Ivory on 29 March 2018 on Piano Day via KITCHEN. LABEL worldwide. Available on 180g white vinyl LP, CD and DL.
March 29th can’t come fast enough for me.
Though this release isn’t breaking any radical ground musically, Hypnodial reminds me of some of the more solid ambient and electronic music releases of the late 80s and early 90s. Well done, well produced, and something quite nice to relax to.
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