[Podcast] ‘Queasy Listening 20150126’ by Cloudy Grey

January 28, 2015 / Rudy Carrera / Leave a comment

https://www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fcloudygrey%2Fqueasy-listening-20150126%2F&embed_uuid=4bc95f56-16b3-4220-8d91-136ccafa9804&replace=0&hide_cover=1&embed_type=widget_standard&hide_tracklist=1

Queasy Listening 20150126 by Cloudy Grey on Mixcloud

If you are a fan of post-Industrial avant-garde music, Cloudy Grey is going to be mandatory listening for you. Their ‘Queasy Listening’ series is an amazing walk back in time, and is doing a fine job hipping the kids to newer artists as well.

With so many amazing podcasts, it’s time to consider interviewing a few of these people for more exposure.

[Sample] Various Artists – Prima Giedi

January 3, 2015 / Rudy Carrera / Leave a comment

https://bandcamp.com/EmbeddedPlayer/album=2421762202/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/

Cold Dark Matter Records taps into the one thing I respect about this new Doom Metal scene – they exhibit raw power. Every track on this compilation is a bruiser. I think I’ll have a lot of fun exploring this label!

[Video] ;dARM – Neutrum (Excerpt)

July 16, 2014 / Rudy Carrera / Leave a comment

;dARM are an experimental music project who hail from Sarajevo, Bosnia-Herzegovina. There is a wealth of unknown talent in the region, especially in the field of dark electronic music. I look forward to hearing more from this group, as well as other new talent from the region.

[Review] Crows In The Garden & Nam Khar – In The Void Of Time EP

August 28, 2013 / Rudy Carrera / Leave a comment

Perhaps the bleakest accordion music I’ve ever had the chance to listen to, Russian musician Kirill M (see his website here) pairs up with Nam-Khar, a project from Germany, on this self-released EP. It is well-mixed, eerie, and worth further exploration.

[Video] When – Death In The Blue Lake

August 18, 2013 / Rudy Carrera / Leave a comment

Lars Pedersen (When) is a Norwegian post-Industrial/Avant-Progressive/Proto-Black Ambient composer whose work never really got its fair due. I actually came across his work in several progressive rock magazines, as well as the seminal experimental publication ‘Music From The Empty Quarter’ (RIP), who didn’t quite know what to make of his work. If he is still active and making music, I’m sure he’s taking advantage of the upgrades in technology. The raw material he had to work with was bleak, unnerving, and quite amazing.