[Reviewed by Peter Marks] Ah just look at him on the cover in his Sunday tea time best. Flip the panel and you’ll see how thin the veneer is as a Guy Fawkes mask and full fencing uniform greet you; there can be no doubt that we’re living in extraordinarily perilous times with one guy […]
A hearty congratulations to Erased Tapes who turn 10 years old this year. This compilation features 20 exclusive tracks from their mighty roster, and not one is a disappointment.
1. Qasim Naqvi – Brutal Moderna 04:18
2. A Winged Victory For The Sullen – Long May It Sustain 04:20
3. Rival Consoles – Ritual Song 05:10
4. Nils Frahm – Frau Dehlholm 03:05
5. Daniel Thorne – Iroise 05:47
6. Daniel Brandt – Blackpool Sands Forever 05:11
7. Douglas Dare – Darling 08:13
8. Michael Price – Eyn Hallow 04:17
9. Kiasmos & Högni – Zebra 03:43
10. Ben Lukas Boysen – Pending 04:44
11. David Allred – Ahoy 04:49
12. Anne Müller – Bel Tono 03:30
13. Lubomyr Melnyk – Palisade I 17:03
14. Hatis Noit – Inori 04:44
15. Masayoshi Fujita – Spaceship Magical 04:05
16. Högni – Máni 03:56
17. Peter Broderick – The Perpetual Glow 05:23
18. Arthur Jeffes & Nils Frahm – Up Is Good 05:35
19. Daniel Brandt – Blackpool Sands Forever (Rival Consoles Remix) 04:27
20. Penguin Cafe – Wheels Within Wheels (Greg Gives Peter Space Remix) 06:09
Many thanks to Mike at Avant Music News who is a wealth of amazing information.
Source: Billboard. A half century into an odyssey that’s seen him work with musical prime movers such as Terry Riley and Brian Eno while pioneering his own distinct lane of so-called fourth world music, composer-trumpeter Jon Hassell is still active and vital at 81. His latest album, Listening to Pictures (Pentimento Volume 1), finds rhythms […]
For years, I made the mistake of treating field recordings as a sub-genre of experimental music. That was due to me conflating the work of, say, Chris Watson (the natural sound recordist who once worked with Cabaret Voltaire and the Hafler Trio) or my old acquaintance Francisco López, and mixing the genres together without giving it too much thought. That was my mistake. Field recordings should be regarded as a genre unto itself, even if elements of other music make their way into these compositions. Nature, one’s home, an empty space, a road filled with automobiles or a beehive are treated as musical instruments. It’s particularly edifying when the artist gives you the privilege of allowing the listener to enter the world he or she inhabits.
The maestro responsible for Rabbits, Jeff Gburek, makes his 7th appearance on this blog. His latest work makes his field recordings and even the venues he recorded at (Gdansk, Poland, Dublin, Ireland and the island of Bali, Indonesia, according to his notes which are posted below) pulsate with life. This new work isn’t merely an intellectual exercise – it is truly an absorbing experience, one I’ve come to expect from him, and he has never disappointed me. He also finds a way to make experimental music relevant.
There is a presence floating in this work. Before Gburek went on tour recently, the legendary percussionist and performance artist Z’ev had passed away. The listener can hear his influence in the percussive parts of these recordings, and there is a very powerful part of Rabbits 1 which left me somewhat baffled as to what it was. It turns out to be a Native American medicine song, which adds a profound flavor to this piece.
I highly recommend purchasing the album, as not only are the three Rabbits tracks intriguing listening, but there is a fourth track you receive as part of your download. It takes a slightly different trajectory, and it fills out the album nicely.
Valentina Villarroel is one of the most unassuming artists we’ve even encountered. Content to let her work speak for itself, she provides only sparse descriptions. In a single sentence, she writes that Mares was recorded at “different locations around the region of Bio Bio, Chile.” The rest is up to us.
This is her second release of the season on Sonospace, arriving on the heels of the recently reissued Pequeñas Composiciones, an experimental set comprised of field recordings, found sounds and studio manipulations. Mares is more straightforward, a collection of crisply mastered recordings captured where land meets sea. It’s the best recording of its kind since Chris Silver T’s Salty Spots, and pairs nicely with Simon Šerc‘s Bora Scura: one set wind, the other one waves.
For those who can’t get to the beach, Mares makes an evocative sonic companion. The nine numbered tracks rise in…
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Mind inflamed, Soul adrift are a record label out of Austria who have released a free compilation which is actually rather good all the way through. There are 16 tracks on the release, and genres covered include electronic music, drone, noise and psychedelic rock. There doesn’t seem to be any focus to the label, but at least for this recording, that’s not a problem at all. All the tracks manage to work together and make for good listening.