The article dates from January 30, but for those of you who missed it, Matthew Finnie pens an article for Wired on the harsh reality of the advancement of technology. It favors nothing but the consumer and convenience.
We, who love vinyl, or cassettes, or even CDs, will continually go the way of the dodo.
The Wall Street Journal do justice to the legacy of Manfred Eicher and perhaps the most amazing and success label you may never have heard of, ECM. From Stuart Isacoff’s article, a quote which sums up my personal opinion of him quite nicely:
“But the most striking exception at the Grammys belongs to ECM (Editions of Contemporary Music), nominated this time around for works by the little-known Polish-Russian composer Mieczyslaw Weinberg performed under the direction of Gidon Kremer. If anyone deserves an award for lifetime achievement, it is ECM’s founder, Manfred Eicher, a producer of over 1,600 albums—many of which have changed the course of recorded art
Here’s to Manfred and the crew at ECM, hoping they make another 1,600 wonderful albums.
Thanks to a regular poster over at Tumblr, I’ve been given the pleasure of being introduced to the writing of Roger Scruton over at Aeon Magazine, who pens an essay deconstructing the phoniness of today’s art. Both artist and buyer are complicit in allowing this contagion to spread.
I expect to link more to Scruton’s long-form essays in the future.