Our friends Destruktionsanstalt make their fourth appearance on the blog with one of the most brutal post-Industrial music releases I’ve heard in a while. Per Najbjerg Odderskov is one of the few composers working in this genre who understand the original Industrial music ethos thoroughly, and it shows in his (very brutal) work.
You have to be something else to make a song called Andrei Rublev, especially one with a Krautrock influence. Nice one, lads!
Liverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”
The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.
Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.
The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the…
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Amazing things keep showing up in Mexico. Sonido Gallo Negro are a band out of Mexico City, and mix a wild cumbia sound with psychedelic music. The results are thoroghly in keeping with the best of radical Mexican alternative music.
Long, slow, elegant, nearly neo-classical ambient music, courtesy of the most appropriately named Ambient Landscape.
El Mahdy Jr. is a composer and beatmaker originally from Alergia, but who is now hailing from Turkey. His work is informed by VERY heavy dub (his dad, apparently, had quite an awesome collection) and sampling. Very creative.
The first time I came across San Francisco, California resident Leila Abdul-Rauf’s name was when she was playing with the all-female avant-garde metal/dark ambient band Amber Asylum. She has become a far more powerful musician as time has passed (if you know anything about her previous work, that’s very high praise), and, given the brutal darkness of the one track shared, this new album should end up quaking my speakers rather badly (and yes, I’m looking forward to that).
The album is due to be released on April 13.
His latest release is a collection of loop-oriented pieces played on a prepared guitar. Though Bandcamp is horrible for this sort of work, I recommend buying the album, putting the tracks into “shuffle” mode, and letting the sounds wash over you. You may hear the same pieces over and over again, but the context will feel different.
FLOOPS ends up becoming several hours’ worth of intensive listening, reminding me somewhat of Brian Eno’s generative music or Adrian Belew’s recent flux experiments.
Perfect Good Friday listening from Fairuz.