
Victor Tsoi
The Calvert Journal has a great blog post full of photos from the 80s and 90s underground rock scene in what was then Leningrad (now St. Petersburg), Russia.

Victor Tsoi
The Calvert Journal has a great blog post full of photos from the 80s and 90s underground rock scene in what was then Leningrad (now St. Petersburg), Russia.
From Attenuation Circuit’s Bandcamp site:
Ralf Wehowsky and Peter Kastner, aka RLW and PAAK, present their third collaborative album in a series of concept albums dedicated to various subjects. This record, their first on attenuation circuit, is about work, and as on the previous records (about food and religion, respectively), the titles, liner notes, and the sound itself suggest a rather sarcastic take on work, or more precisely, the situation of working people today.
Ralf Wehowsky has been a fixture on the international experimental scene since his 1980s work with P16.D4 and related projects on the Selektion label. The fusion of electronic sounds and non-musical, musique concrète material is characteristic of much of his work. Peter Kastner, working both in improvised sound and visual arts, brings a low-fi approach to jerrybuilt sound objects to the collaboration. By contrasting everyday noise that might well have been recorded in a factory, or factory canteen, with startlingly artificial, almost deliberately cheesy harpsichord and mellotron sounds, they create a tension between a nostalgia for beauty and the barrenness of everyday life, in three pieces, or perhaps movements. The liner notes leave no doubt as to what the three movements stand for: The 19th century with its mass exploitation of industrial workers (courtesy of a quote by Karl Marx), the 20th century with its progress toward more social security for working people, and the 21st century, which sees an erosion of solidarity as neoliberal policies take away social benefits such as rent-controlled housing.
Crap Marxist verbiage, but great music, as always.
Brazilian singer Vitor Ramil is a new name to me. His ouevre is amazing on its own, and I’ll be exploring it some time in the future, but what was most impressive was his setting of this poem by Jorge Luis Borges to music which matches the words wonderfully.
https://www.youtube.com/watch?v=gn23Mnib4YM
I have a love/hate relationship with the music of Astor Piazzolla. His music is stunning and sensual, but, as I’m sure many of you have done, I tied the artist to a person who left my life 5 years ago. Still, as I prepare to enter my 46th year in a few hours, it’s time to remove all melancholy and prepare for a fresh year in my life.
Source: KQED Arts, Bobby Hutcherson passed away at age 75 after a long battle with emphysema. Introduced to the Blue Note fold by veteran alto saxophonist Jackie McLean, Hutcherson quickly joined a loose confederation of creatively ambitious New York musicians inspired by the rhythmic and harmonic innovations of free jazz patriarch Ornette Coleman but dedicated […]
It’s alarming to note the number of rock genres that have roots in a specific compilation album. The 1960’s folk revival sprang to life as a result of Harry Smith’s Anthology of American Folk Music; punk rock got a jump start by Lenny Kaye and Jac Holzman’s Nuggets; indie pop became a new shorthand after the […]
via Album of the Day: Various Artists, “Radiating Light: Orchid Tapes & Friends” — Bandcamp Daily
For those of you who read progarchy, you know that we often (maybe not often enough, but often) review things that are, at best, vaguely prog. We often veer into art rock and art pop. My favorite genre outside of “straight” prog is progressive pop such as PET SOUNDS, SONGS FROM THE BIG CHAIR, and […]
via Simple Minds: From Beauty to Bombast, the early 1980s — Progarchy
Renee Van Trier is an artist of many kinds, she does so many things (from performances, photography, videos, acting…) that we almost forget that she is also a refined experimentalist in music and song making! Luckily Van Trier has a lovely online cloud with great examples for you and me to hear and be wowed […]
Some prime music by Ivan Lins, crooning away to the classic cut originally written by Antônio Carlos “Tom” Jobim.
A bit of Manouche music, courtesy of the legendary Django Reinhardt.
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