[Music] Iancu Dumitrescu / Ana-Maria Avram in Berlin

Berghain, February 3d at 10 pm
Iancu DUMITRESCU
Ana – Maria AVRAM

HYPERION INTERNATIONAL

Tim HODGKINSON, Yoni SILVER Tijana STANKOVIC, Diana MIRON, Zsolt SÖRÉS, Albert MARKOS, Andrei KIVU, Shmil FRANKEL, Laurenţiu COŢAC, Guillaume OLLENDORFF Cătălin MATEI, Gilly MOCANU, Colin HACKLANDER, Eduard GABIA
special guest
Stephen O’MALLEY

Program:

    Iancu Dumitrescu “Quasar light” (I) – (II)- (III)

for percussion and computer sounds

    Ana-Maria Avram “ Polarities & Ambiguations”

for two bass clarinets

    Iancu Dumitrescu “Blue Shift/Red Shift”

for strings and percussion

    Ana-Maria Avram “Heteromorphies (X)”

for e-guitar and ensemble

    “Murmur”

for ensemble

    Iancu Dumitrescu “Distant Supernova”

for e-guitar, ensemble and computer sounds

    Ana-Maria Avram “Signals”

for e-guitar, ensemble and computer sounds

    Iancu Dumitrescu “Collisions of Galaxies”

for ensemble and computer sounds

world premières

Concert realised with the support of the Romanian Cultural Institute-Berlin

A photo posted by Rudy Carrera (@racarrera1) on Jan 13, 2016 at 7:27pm PST

//platform.instagram.com/en_US/embeds.js

A photo posted by Rudy Carrera (@racarrera1) on Jan 13, 2016 at 7:27pm PST

//platform.instagram.com/en_US/embeds.js

[Music] Ballast Update: Eric Lunde’s The fear of appearing monotonous prevents us from recording expressions which, upon such occasions, are all very apt to resemble one another

News from Blake Edwards:

Hello, and welcome to the first 2016 email from ballast.

First, and utterly foremost, thank you for your interest in this venture thus far. It’s been moving along for almost a year, and to have as many people interested in both the art I produce and the artists with whom I share affiliations and interests has been, and I’m pretty sure will continue to be, a fantastic counterbalance to my “9 to 5” life.

So, let us press on with information about the first ballast release for 2016, and some teasers for what is to come…

Out now!

NVP06. Eric Lunde: The fear of appearing monotonous prevents us from recording expressions which, upon such occasions, are all very apt to resemble one another (CDR, book, collage)

I am extremely pleased to present this reissue of a 1988 cassette withdrawn (not for audio related reasons…) almost immediately upon release at Eric’s request, a decision Eric has often said was extremely frustrating as he considers this a seminal example of both his process- and language-driven works: I am hard pressed to disagree.

As noted in his original liner notes, Eric initiated the recording process using his preferred taped reduplication process with voice but “In the middle of the engagement, I discovered at the local Radio Shack a simple biofeedback monitor…” He then used said biofeedback monitor to document responses to various readings of de Sade’s work. Although he acknowledged that the device was “rarely sensitive enough to register the slightest reaction of the mind through the body to highly aggressive sexual and violent words,” Eric still says he was satisfied with the outcome, having “always been interested in a direct form of expression: the body directly creating sound and image without interference.”

With that framework in mind, I hope you can see why I am so excited to bring this release back into the world. This edition, housed in a small 6″ x 9″ booklet, contains both the original liner notes and contemporary supplemental texts by Lunde.

One extremely special component of this edition is that each copy includes a unique, original signed and numbered 4″ x 6″ collage by Matt Taggart (known to many as PCRV). Both Eric and I have been fans of Matt’s collage work over the past few years, so we decided to commission these collages. To make things a bit more challenging / interesting for Matt, and to cement the collage’s connection to the audio, we placed some OULIPO-inspired constraints on the visual elements (outlined the booklet) to reflect the source material. Unsurprisingly, Matt delivered beautifully.

This is in an edition of 78 copies (signed and numbered by Eric, with the collage signed and numbered by Matt). The cost will be $32 ppd in the United States; for rest of world orders, please contact so I can calculate postage.

~However~!

Since you asked to be kept abreast of ballast releases, the price is $26 ppd in the United States–the rest of world will still be stuck with shipping, but the base price will still be reduced.

Some final notes about NVP 06:
1) I can (to a limited extent) provide you with the edition number of your choosing, but I’d say send three options to be safe.
2) when you make payment via Paypal, if you can do so as a “friend / family” it will spare me the administrative fees they dock.

The web presence for ballast is here:
http://ballastnvp.blogspot.com/

and, last, here is what’s coming down the pike for Ballast in 2016:

NVP07. Vertonen: Rose Gardens (CDR, textual support) The second in a trilogy of releases (which began with Send the Call Out Send). Edition of 33 copies.

NVP08. Vertonen: stutterer (CDR, visuals) A collection of more rhythmic mechanical compositions: think Esplendor Geometrico or Sat Stochismo and you’re in the ballpark. Edition of 33 copies.

…and, catalog numbers are yet to be determined for the following:

• Arvo Zylo Children of the Stones (2 x 3” CDR) Compositions by this Chicago artist that revolve around audio (and underlying concepts) from the 1970s children’s British TV program. Edition of 55 copies.

• Howard Stelzer: (6 x cs, title TBD) A master of cassette manipulation and the pride of New England.

• Vertonen: Intentional Accident (CDR, textual support) The final in the trilogy of releases (which began with Send the Call Out Send). The textual support features a key that answers all the puzzles brought up throughout the trilogy. Edition of 33 copies.

• Jason Soliday & Matt Taggart (format and title TBD)

Thank you for your time and interest,

Blake

[Music] Jan 22-24: Nervous Magic Lantern Festival 2016

A note from our friends at diNMachine (check Facebook for further):

ABSTRACT EXPRESSIONIST CINEMA:
KEN JACOBS / NERVOUS MAGIC LANTERN FESTIVAL

THREE DAYS / TWELVE BANDS / 8PM FRI-SUN
JANUARY 22-24

The Anthology Film Archives
Curated by diNMachine
————-
Projections by KEN JACOBS with live music by:

Fri, Jan 22 8PM

diNMachine (release)
Flux (Tom Chiu)
The Ghosts Of The Holy Ghost Spermic Brotherhood
Pad tech

Sat, Jan 23 8PM

Robert Poss
Adrian Knight / David Lackner / Max Zuckerman
Sarah Bernstein / Stuart Popejoy
Patrick Todd

Sun, Jan 24 8PM

JG Thirlwell
Collapsible Shoulder
Victoria Keddie
Rick Reed / Tara Bhattacharya

RE: ENACT by Ron Amstutz (featuring music by Michael Schumacher)

Light Installation by Ursula Scherrer
—————

ABSTRACT EXPRESSIONIST CINEMA: KEN JACOBS / NERVOUS MAGIC LANTERN FESTIVAL
January 22-24

Ken Jacobs has long been a restless innovator, and his rebellious projection performance apparatus known as the Nervous Magic Lantern is a development that would not have been out of place in the pre-cinematic era of prestidigitation and exotic attractions. Working without film or electronics, the Nervous Magic Lantern uses lightweight fans and an exterior spinning shutter – along with the hands and creative mind of an active projectionist – to fill the screen with moving 3D forms that can be seen from every possible angle, no special glasses required. A breathtaking and all-around mystifying head/body experience, Jacobs surmises that, “It’s the cinema that should’ve happened following live shadow play.” After years of committed research and development, it is clearer than ever before that Jacobs’s Nervous Magic Lantern is a direct outgrowth from his early training in the 1950s with abstraction pioneer Hans Hofmann. In a sense, this latest body of work is as much a return to painting as it is another step deeper than ever before into the depths of the moving image.

This January, as the first installment in what will be a once-a-calendar tribute to Ken Jacobs throughout 2016, Anthology hosts an expansive Nervous Magic Lantern Festival, curated by the ensemble diNMachine. The series will feature an incredible array of live performances from some of the most daring musicians working in New York today. In addition to diNMachine (whose forthcoming full length album “The Opposites of Unity” is out January 22 via Greedy Dilettante Records), performers will include guitar genius and drone meister Robert Poss; renowned composer/producer/performer JG Thirlwell (Foetus); fearless new music ensemble Flux Quartet; Swedish composer/performer Adrian Knight with David Lackner and Max Zuckerman (Blue Jazz TV, Synthetic Love Dream); Victoria Keddie, Co-Director of E.S.P. TV; experimental audio composers Rick Reed & Tara Bhattacharya; new-wave proto-punk voice and violin duo Sarah Bernstein & Stuart Popejoy; melodic explorers Collapsible Shoulder; champions of structured and improvised rhythm, drone, and noise Padtech; unique sound-exploration trio The Ghosts of the Holy Spermic Brotherhood; and textural electronic noise composer Patrick Todd.

The festival will take place over three evenings, with four artists/groups performing each night. Each artist/group will take the stage for a 20-minute set, during which Jacobs will project live with the Nervous Magic Lantern system. Each evening will also feature an immersive video installation created by artist Ursula Scherrer, as well as the film RE: ENACT by Ron Amstutz (featuring music by Michael Schumacher), which will be screened following the intermission.

For details on each night’s lineup, and for Ken Jacobs’s extended discussion of the Nervous Magic Lantern system, visit anthologyfilmarchives.org.

Fri, Jan 22 through Sun, Jan 24 at 8:00 each night.