Steve Seidenberg of the ABA Journal writes on a good-news-bad-news treasure-trove of a find:

The question, however, is whether that will happen anytime soon. And if it doesn’t, music fans might be justified in putting the blame on copyright law. “The potential copyright liability that could attach to redistribution of these recordings is so large—and, more importantly, so uncertain—that there may never be a public distribution of the recordings,” wrote David G. Post, a law professor at Temple University in Philadelphia, on the Volokh Conspiracy blog. “Tracking down all the parties who may have a copyright interest in these performances, and therefore an entitlement to royalty payments (or to enjoining their distribution), is a monumental—and quite possibly an impossible—task.”

If this isn’t enough for music fans to start getting themselves immersed into the inner workings of copyright law, nothing will.

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Kudos to Ian Sheppard!  An engineer enlightens the proles on how mixing should be done.  For you tech-geeks who appreciate the sound of a well-recorded album, this blog is for you!

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