One of my old college mates described Strawberry Switchblade as ‘twee’. He was right. That didn’t affect the fact that I saw them as a great pop band with two of my teenage crushes blowing me away musically. Here’s the raw material which would develop into their eponymous debut LP.
Amazing. The Mariachi Mexteca collaborate with The Stranglers’ singer Hugh Cornwell on what is my favorite Stranglers song, Golden Brown. Punk and Mariachi seem to blend together beautifully in this example.
This has to be some of the bleakest music I’ve heard in a while. Утро (Yutro, or Morning) are a band I have absolutely no information on, but they sound a bit like Joy Division going on a bender after swallowing a bunch of downers. Heavy, brutal, but really good-quality post-punk.
Matthew Higgs of The Guardian bears the bad news that Joy Division, whose music, as he says, ‘was cold and detached’, were actually a fun lot.
The Durutti Column provide a shimmering instrumental from 1980 as Father’s Day nears.
Gang Of Four never got enough credit as one of England’s finest post-punk bands. Even when they went through a pop phase, they pulled it off with panache. Thankfully, this is prime era GoF.
Padot na Vizantija (The Fall of the Byzantium in English) were one of the leading lights in the Yugoslavian post-punk scene. Singer Goran Trajkoski went on to participate in two legendary projects: Anastasia and Mizar (for a short tenure).
Joy Division lead singer Ian Curtis died on this day 37 years ago. Time flies.
I couldn’t find anything on Orchestre Rouge in English, but the French band were among the best post-punk groups France ever produced.
Seeing that today is the Ides of March, the day Julius Caesar was turned into a pin cushion by a creepy cadre of senators, it’s appropriate to celebrate the day by highlighting a recent release by former Siouxsie and The Banshees bassist Steven Severin.